A Quote by Tod Goldberg

So for a long time, I did a lot of freelance writing in addition to writing fiction and such - I was a food critic for a magazine for a bit, I did writing for nonprofits and political things, I was the editorial consultant for another magazine for a couple years, all sorts of jobs.
My favorite subject was English or creative writing. We did poems and making a magazine, and I did one on celebrities. I called it 'Celebrity Life Magazine.' I interviewed my good friend Kaley Cuoco.
The only thing I remember writing in prison is a couple of poems for an inmate magazine they did once a year.
One of the things that's great about writing for a magazine is that every week you get to be a different person. You're writing different things all the time and not slogging along for years on something.
I actually was doing ghostwriting jobs since I was 17 years old, so I've been supporting myself off and on with writing jobs for almost 10 years. But those were all things that I did off the books. And now I do a lot more writing on the books.
I was trained mainly as a short story writer and that's how I started writing, but I've also become very interested in non-fiction, just because I got a couple of magazine jobs when I was really poor and needed the money and it turned out that non-fiction was much more interesting than I thought it was.
Since 1988, I have been writing steadily. I did decide a couple of years or so ago to scale back to writing one book a year - a sort of semi-retirement. But I never did have much success with that plan!
Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.
I got that experience through dating dozens of men for six years after college, getting an entry level magazine job at 21, working in the fiction department at Good Housekeeping and then working as a fashion editor there as well as writing many articles for the magazine.
It's my experience that people don't think of fiction writing as being as intellectually serious as other kinds of writing in academia and so without a career as a critic or essayist you can be treated as something of a spiritual medium - a fraud - for "just" writing fiction.
One of the things I liked about writing for a magazine was a kind of anonymity. When you do books, it's different than magazine pieces because you become a 'figure.'
I was washing dishes at Del Frisco's Grille and busing tables at a Tex-Mex place and writing songs the whole time. I did a lot of my writing at those jobs, thinking up melodies in my head.
It wasn't until after college that I started writing. I had just applied randomly for jobs in the media and got one on a magazine called 'Pensions World.' So I was writing for a living there and that's when I started my first book.
I did a lot of freelance desk publishing jobs when I graduated from college. I sort of earned a living doing that while I was writing plays, which was what I wanted to do. My hope was to become a playwright.
I did some writing. I was just taking the kids to school. I did a couple things and we did some tours. It was a lot of downtime.
I started freelancing, writing op-eds and book reviews, one at a time. I then got the opportunity to write recurring freelance pieces for 'The Nation' magazine, focusing on how the Internet was changing politics.
It's not that I'm apolitical... In my youth, I was a freelance political speechwriter, which taught me a lot about writing fiction, I must add.
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