A Quote by Tod Machover

One of my interests in music has always been what it means, why it affects us the way it does. — © Tod Machover
One of my interests in music has always been what it means, why it affects us the way it does.
The music industry has been hijacked by corporate interests, but the way music affects people and resonates with them hasn't changed.
Most people have music in the center of their lives. I believe my work sheds light on how music affects us and why it is so influential.
Playing on turf affects everything, you know, it affects the way the ball rolls, it affects the way the ball bounces, it affects the way you think about whether or not going into a slide. It's kind of a nightmare.
I've never been passionate about just music, I've never seen myself going into music in that sense. My love for music has always been connected to the stories told through music, which is why I was drawn to theater and why I think 'Glee' is so powerful.
Our interests are indeed common European interests, and the only way to serve them is by common means. That is why all Europeans, and all E.U. member states, have a collective responsibility to strengthen our Union.
I always felt that the music sells by itself. The music has always been the successful aspect on my career, and that means that, to me, I can always still stay very focused on music.
All of us have been through relationships; there have been periods of time when we've been single. It's something that everyone experiences. It's a matter of making that observation and then start to ask questions about it: Why is it like that? And why do we feel that? And why are we organized this way? Isn't there any other way?
People all the time try to take my outside interests and make them a negative. My life has always been like that and it always will be like that. I don't think it necessarily means that while I'm concentrating on tennis I can't put 100% into it. If I didn't have 100 different interests, I probably wouldn't be as good a player.
This woman [Hillary Clinton] has been in public, has been a nationally known figure for over 30 years. Why does anybody have to tell us who she is? And why does she need to be "humanized"?
I guess that's always the mystery of music. It's like why does this song make me feel so grey or why does it make me feel sad or happy or nostalgic and so I'm most fascinated by breaking that down in my music.
Conversion does not make us perfect, but it does catapult us into a total experience of discipleship that affects - and infects - every sphere of our living.
America has never been united by blood or birth or soil. We are bound by ideals that move us beyond our backgrounds, lift us above our interests and teach us what it means to be citizens.
Music is one of my big interests - I once had a rather fanciful ambition to be a singer - and of course music is philosophically fascinating. What it is for music to express emotion strikes me as one of the most difficult questions - it's hard to say what it precisely means, although it plainly does mean something. But whenever I have tried to say something about this, it has come out as either banal or pretentious or both.
Music has always been transnational; people pick up whatever interests them, and certainly a lot of classical music has absorbed influences from all over the world.
When our interests matched, the Americans have been good to us, and when the interests differed, they wanted us to mold ourselves to them, which we refused.
I can't help what people write or think. If somebody thinks I'm a serious archivist, they're wrong. That's been a problem. It's a shame people take that attitude, because it affects how they listen to the music. It's a big mistake to treat any pop music that way.
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