A Quote by Todd Barry
I basically did comedy there for about a year, and then moved to New York. If I had it to do over again, I would have booked myself on the road for at least a year.
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At 19, I turned professional, and I moved to New York. Then I got the call to do 'Dancing With The Stars,' so I moved to L.A. when I was 20 and did it for 18 seasons - about two a year - until I was 30.
The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.
Earlier I had been in New York, which was my first time to New York, and I got booked in the Baby Grand up in Harlem there. I was booked there for a week; they kept me there for about a month. That's where Doc Pomus and myself became very close friends and start running together around town and what not.
I moved right to L.A., and I had a year of active unemployment. I had 50-something auditions for 50-something different projects, testing and doing callbacks, and could not get hired. And then, almost a year to the day of being out in L.A., I booked my first job, and then I started booking something every other month.
I've always lived in New York; I never moved to L.A. I was developing and producing and writing a pilot for a year. That took me out of everything for over a year. When that sadly didn't go forward, I shot 'Black Mirror' right after that.
I'm one of 3; I have a 16-year-old sister and an 11-year-old brother. We're all very close. We're an interesting family, and we moved a lot when I was younger. I feel like we are very tight knit because we had to sort of jump and leave places and start over again and again.
I was born in London. I moved to New Zealand when I was really young; I can't remember London. My parents went and did what was supposed to be a one-year O.E. (overseas experience) that turned into a 9 year O.E. and they had two kids.
I had just done what she does in the story just about a year earlier - I moved from New Jersey and came to New York and was working at a bar, and you know, trying to make it.
I lived in a suitcase for a year, and then a relationship brought me to New York for about four months, then I lived in Melbourne. Then I moved back to Gothenburg because the immigrant laws are strict for both Australia and the U.S., and I would have to marry someone to get into those countries. But I wouldn't really be able to get involved in a sham marriage without being able to tell anyone about it.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
Since I moved six or seven times the first year I was in New York, I had to be able to roll up the work, and paper would just get destroyed. Once I looked at what I'd done, I realized I had made a painting, sort of by default.
Every year when it's Chinese New Year here in New York, there are fireworks going off at all hours. New York mothers calm their frightened children by telling them it's just gunfire.
I have a lot of regrets about what I've done. If I had to do it over again, I never would have left the Mets. I'm very thankful for all that Mr. (George) Steinbrenner did for me when I was with the Yankees, but I wish I had stayed in New York with the Mets.
What I'd really like to do is do a film or two a year and then do theater in New York the rest of the year.
I filled in for Papa Roach because we weren't doing much. Unwritten Law had a few more shows booked, but I got the call to fill in again at the end of the year. I was like, "I have to make myself available to these guys."
I like to work on New Year's Eve. It has a nice spirit; a nice feel about it. If you are all about the 'year-end' thing at all, then laughing with fellow human beings is a great way to start the new year.
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