A Quote by Todd Farmer
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
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It is a Modern day, and these times need Modern solutions to Modern problems.
The complaint about modern steel furniture, modern glass houses, modern red bars and modern streamlined trains and cars is that all these objets modernize, while adequate and amusing in themselves, tend to make the people who use them look dated. It is an honest criticism. The human race has done nothing much about changing its own appearance to conform to the form and texture of its appurtenances.
A lot of times, people think of Asian culture as some mythical world instead of modern people with modern occupations with modern problems, modern tools. Like, we're not all just talking Taoism and kung fu - some people are just trying to get over their breakup with their boyfriend, and they're Facebook-stalking.
I don't know how many modern families watch 'Modern Family,' but then one of the points of 'Modern Family' is that it's hard to tell what a modern family is anymore, let alone what it does.
The past is discredited because it is not modern. Not to be modern is the great sin. So, perhaps, it is. But every one has, in his day, been modern. And surely even modernity is a poor thing beside immortality. Since we must all die, is it not perhaps better to be a dead lion than a living dog?
Are modern children going to revolt against being modern, and if so, what form will reaction of modern parents take?
A modern mathematical proof is not very different from a modern machine, or a modern test setup: the simple fundamental principles are hidden and almost invisible under a mass of technical details.
What 'Strong Island' does is bring a historical perspective and help people understand that what we're treating as a modern-day phenomenon is actually not modern. It's actually quite old.
In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road movie and if you'll see, this is a modern story but it's got so much 1970's in your face feel to it. So that was the point, to take that stuff that we loved growing up and sort of do it for today. I think we accomplished it. We'll see.
Moses tried to separate his people from Pharaoh, and when he tried, the magicians tried to fool the people into staying with the Pharaoh, and we look upon these other organizations that are trying to get Negroes to integrate with this doomed white man as nothing but modern-day magicians, and The Honorable Elijah Muhammad is a modern-day Moses trying to separate us from the modern-day Pharaoh.
It's a different world: when I'm writing 'Toast,' I've got one foot in 1974 and one foot in the modern day, because the modern day is nowhere near as funny or interesting.
I've always had a massive fascination with the modern day cowboys. Modern day outlaws or going against the system, and that's always been very intriguing to me.
Make it new is the message not just of modern art but of modern consumerism, of which modern art is largely a mirror image.
It's very hard to be a practicing Christian in the 21st-century world if you set things up as, 'Everyone is against us. You can't believe modern science, modern media or modern political institutions because they're all conspiring against Christians.'
We need to evolve and articulate a global ethics for a global civilization that integrates and evolves the passionate truths of every great system of knowledge - pre-modern, modern, and post-modern.
When you objectively observe the most spiritual area to which modern people devote themselves, the religions, ask yourself if the basis of modern culture, particularly in religion, is not human self-interest. It is typical of modern sermons that the preacher criticizes people for their selfishness.
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