A Quote by Todd McFarlane
The deal is that you can do it, you don't really owe me anything, but at the end of it, I own the film. Then I can actually go out and reprint or not reprint if it I want.
Related Quotes
Unfortunately for me, most of the books I'd want to reprint were written for savvy publishers like Harlequin and Berkley who have held on to electronic rights. But I do have another option: Publish new e-books myself.
I will say that I'm proud of my connection to DC comics because they are absolutely fabulous in sending reprint royalty checks.
Interviewer: Have you ever considered writing nonfiction? Mary Doria Russell: Oh, honey, I did! Let's see...There was "A Reconsideration of the Evidence for Cannibalism at the Krapina Neandertal Site." That was a big hit. And who could ever forget "Cutmarks on the Engis II Calvarium"? Then there was "Browridge Development as a Function of Bending Stress in the Supraorbital Region." I got tons of reprint requests for that one. Trust me fiction is better.
I don't copy recipes without trying them out. I don't reprint without trying them again.
It’s at the heart of everything we struggle with in life: longing to be valuable, to be accepted, to be prized, to be worth something to somebody, to have a life that matters, and God’s saying ‘You matter! I didn’t make anyone else like you. You’re not a reprint or a lithograph. You’re a one-of-a-kind, original creation of God.
I guess my parents wasn't f***ing with me being with X. It was more less, they thought that my life was in danger. They felt it was hurting more, then it was helping. So they ended up pulling me out of the deal. It was actually a blessing in disguise because everything worked out for the best at the end of the day.
Others, amounting to four novels and a mess of short stories which I did not think worth preserving, I have done my best to eliminate from the record by refusing all requests for permission to reprint them, and I hope I have done a good job of making them hard to unearth.
Particularly when I'm batting, I don't really hear anything that's going on. I block it all out. Maybe a little bit when I'm fielding but then again, it's just words. It doesn't affect me. If people want to say things then go for it.
The syndicates take the strip and sell it to newspapers and split the income with the cartoonists. Syndicates are essentially agents. Now, can you imagine a novelist giving his literary agent the ownership of his characters and all reprint, television, and movie rights before the agent takes the manuscript to a publisher? Obviously, an author would have to be a raving lunatic to agree to such a deal, but virtually every cartoonist does exactly that when a syndicate demands ownership before agreeing to sell the strip to newspapers.
Failure's a marker of success in its own right because you went out and tried something... If you really don't want to fail, go find a comfortable chair and stay there. Just don't go out and do anything.
Maybe you have a particular type of sound you want to go for, but if you really want to be original, there's no real recipe for that. For me it's just about letting it come to you... if you can let your head clear out, then almost anything is available.
There's not one way to direct a film, there are so many different ways to do it. Everything affects the way it turns out in the end. Even the smallest things. You don't want to really acknowledge that, because you want to believe that you are the only creative asset as a director. You want to believe you're the only one. But I really feel that everyone teams up and everybody really affects everything. Actually, it's the closest I will get to playing in a band.
My opinion is that somebody certainly has the right to do cartoons that make fun of somebody else's religion. But to reprint them just to provoke a fight and just to provoke it like thumbing your nose at someone else and going, "What are you gonna do about it?"
I really want to do film, but I want to do the right film. The truth for me is that I'm really driven by stories. So there are stories I want to tell, and if it's a good story then I want to do it, whatever genre it is.
My parents are just really down-to-earth, earnest, hardworking people that don't want for anything. I think that really served me because when you put more value on experience than things, then you're going to go out and have experiences.
For some people, history is simply what your wife looks good standing in front of. It’s what’s cast in bronze, or framed in sepia tones, or acted out with wax dummies and period furniture. It takes place in glass bubbles filled with water and chunks of plastic snow; it’s stamped on souvenir pencils and summarized in reprint newspapers. History nowadays is recorded in memorabilia. If you can’t purchase a shopping bag that alludes to something, people won’t believe it ever happened.
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