A Quote by Todd Rundgren

As much as I'd like to be listening to other things, I can't do that until I get all of this sort of put to bed. — © Todd Rundgren
As much as I'd like to be listening to other things, I can't do that until I get all of this sort of put to bed.
I happen to love a good run almost as much as sex. Like sex, there are often times I don't think I'm interested until I'm into it. Unlike sex, I do have to get out of bed and into the elements. I hate leaving bed.
I don't think I'm qualified to answer questions about happiness. But I guess I'd say that I don't think you ever get to put to bed something like a search for order, or any other element of your sensibility, however much you'd like to.
You don't appreciate life until you get to the other side. Like lying in a hospital bed.
I get out of bed, brush my teeth, wash my face, put on moisturiser, put on clothes, and leave. Four minutes. I like to shower at night so I can roll out of bed.
It's bizarre: sometimes I go through periods where I really want to put a song up online, and sometimes I'm sort of busy with other things... It's very much a hobby, that kind of thing. I sort of post it more for maybe my mom's benefit, and suddenly she says, 'It's got 50,000 views.' And I think maybe I should've put it as private.
I don't get distracted until the weight of other things left undone finally tips the balance; my mind is flooded with calls, bills, supermarkets, letters, and I have to stop and sort things out.
You know so many documentaries now are very carefully scripted before you start, and then people are sort of put in chairs which are beautifully lit, and they tell their stories and you do that with another 10 people and you then construct a story from what they say. You do a sort of paper thing, and then you put some images in-between, and that's your film. And that's so not what I think is a good documentary. It can be so much more than that, it should be much more of an adventure and much more uncertain... like real things are.
I dont get distracted until the weight of other things left undone finally tips the balance; my mind is flooded with calls, bills, supermarkets, letters, and I have to stop and sort things out.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
An artist attunes to what things are, which means sort of listening to the future, which is just how things are - I think time is a sort of liquid that pours out of hatpins, underground trains, salt crystals. So a work of art is also listening to itself, because what it is never quite coincides with how it appears, too.
The relative ease of most driving lures us into thinking we can get away with doing other things. Indeed, those other things, like listening to the radio, can help when driving itself is threatening to cause fatigue. But we buy into the myth of multitasking with little actual knowledge of how much we can really add in or, as with the television news, how much we are missing. As the inner life of the driver begins to come into focus, it is becoming clear not only that distraction is the single biggest problem on the road but that we have little concept of just how distracted we are.
I think about how much depends upon a best friend. Then you wake up in the morning you swing your legs out of bed and you put your feet on the ground and you stand up. You don't scoot to the edge of the bed and look down to make sure the floor is there. The floor is always there. Until it's not.
Everybody goes to the funeral, but everybody laughs when it's funny. While entertainment is happening, that's just what it is, entertainment - until it crosses over into a whole 'nother situation. And now, me maturing, I look back at a lot of things, pushing forward, some things won't get my attention. Some things don't deserve my energy. I won't put forth so much on things, you got to focus on what's the matter at hand. That's to put out timeless music, and great albums.
In winter I get up at night And dress by yellow candle-light. In summer quite the other way, I have to go to bed by day. I have to go to bed and see The birds still hopping on the tree, Or hear the grown-up people's feet Still going past me in the street. And does it not seem hard to you, When all the sky is clear and blue, And I should like so much to play, To have to go to bed by day?
Having children, you have so much more structure in your life. The open-endedness of being a single woman is gone, you know? It's sort of like, from 1 P.M. to 3 P.M. the kids are going to take a nap, so now I have time to sit down and write the lyrics, or once they're put to bed, I have a few hours to focus on those things. I need that. It's a very strange process, really - I can never predict what's going to happen. It always feels uncomfortable and awkward.
I believe in spiritualism. It's like, when you listen to music or something and then you're sort of primed. If you're an artist, you're sort of primed and inspired, and you start drawing, you sort of have the spirit of what you're listening to, still in you. You just have sort of an inspiration.
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