A Quote by Todd Rundgren

Music gets recorded usually in one format, and when you have to take it out and perform it there are other applications and things like that that are better for the live performance.
When I make music, I often sound better singing as a woman, go figure, so I like to tweak the format and pitch and suchlike of my recorded voice. Sounds better.
I wouldn't say that I'm a consummate live artist. Album work is kind of just like quilt weaving or something. But live music is just like a method of emptying out the mind through volume. Volume as a form that allows you to do different things. And that doesn't really translate to recorded music, like how do you listen to that, on Spotify or in your car? It's not the same kind of effect. I would say that the loudness is a huge part of what I do live.
I think the best live shows take you out of the moment into somewhere else and I really...This can be true of recorded music too but my favorite live experience is sort of this transcendendent - is that the word? Transcendental?
Recorded music has always been in a sense promotion for live performance, and some artists have discovered that giving it away is as effective as trying to sell it.
Performance's only life is in the present. Performance cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does so, it becomes something other than performance.
For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it--even of my own music--with the same nuances forever.
Every single year since they invented sound recording it gets better and better. We've always improved it. With MP3, which just sounds awful, it's the first time in the history of recorded music that it sounds worse. It's really - and it's everywhere, it's ubiquitous.
Some people, they take their form of working out as a religion that they think is better than everyone else's. I'm not like that. If you have a better way to work out, and you can teach it to me, and I find it to be useful and gets me in better shape, I'm all about.
One of the most fun parts about my job is that when the music gets recorded live at the end of the project and real musicians play it, I still get goosebumps every single time.
I grew up with synthesizers and weird, spacey music-hip-hop, R&B, modern rock-that I heard on the radio. That's influenced the way I play music. It's natural for me to go with what I feel. If I didn't let that other stuff out and stuck to a certain format, I would feel like I was missing out on something. I'm just enjoying my ride and being who I am.
It's not my fault Snow didn't have any other options coming out of high school. If going to college gets you a career backup goaltender job, and my route gets you a thousand points and a thousand games, and compare the two contracts, it doesn't take a rocket scientist to figure out whose decision was better.
I try not to eat right before I perform. It's better to perform on an empty stomach - it just feels better. You just feel like a leaner machine. You're not worrying about digesting things.
I live my life and play my music, and I don't really seek out other people's approval or accolades or things like that. I try to do what's true to me, and how it all comes out is fine.
It's an amazing privilege to perform for an audience paying to hear the music that you've recorded.
Sledging makes things interesting. There are no robots playing. They are humans who want to perform well for the country. So when stakes are so high, emotions will take over. Sometimes sledging gets the best out of you.
I really do like seeing other people perform my music. It's one of the most rewarding things for me, so it's worth the extra work.
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