A Quote by Todd Rundgren

I didn't expect to become an artist. I was not comfortable going out on the road. — © Todd Rundgren
I didn't expect to become an artist. I was not comfortable going out on the road.
The worst part is that if you become part of a major - all these independent labels become farm teams for your corporate parent. Basically, you do all the work for years, blowing up an artist - you discover them, blow them up, you build their fan base. And then that artist is like, "Okay, now I'm here. Now I want more. I want to be bigger." And you're either going to be able to accommodate them, you're going to be able to figure out how to take that step with them, or you're going to lose them.
I'm more comfortable knowing that, chances are, I'm going to fail at this. I've become comfortable with that.
I loved going on the road... I think that's something everybody ought to experience one day - not necessarily as an artist, but just to get out and see the country.
Sometimes one misses the sign posts as you're going down the road. They aren't as obvious as they become when you get to the end of the road, so to speak.
I've slowly become more comfortable as an artist and as a person.
How could somebody be comfortable with authorizing legally the use of lethal force? My view is if you become comfortable with it, then you should get out of the job.
Even at the end of the road, read the first sentence, there is a road. Even at the end of the road, a new road stretches out, endless and open, a road that may lead anywhere. To him who will find it, there is always a road.
No, I didn't expect Mancini to become a manager, because of the type of player he was - he was an intelligent player, of course, but I didn't think he had the desire to become a manager. But I guess if you speak to some of my team-mates they'd probably say they didn't expect me to either. I certainly didn't expect it.
Over the years, I was never really driven to become a solo artist, but I was curious to find out who I was as an individual creative person. It's taken some time, but now I feel I've truly paid my dues. I guess I'm at a point now where I'm more comfortable in my own skin.
With 'Stranger Things' especially, I couldn't expect the show to become what it was, and I definitely didn't expect the whole Barb thing to become what it was.
'The 100' gave me this platform I never expected. I didn't expect the character to become anything. I was originally only signed up to do six episodes, and then it just sort of become this whole story and journey, which was an amazing character, a great journey, so that has been incredible, and I didn't expect anything out of it.
George Strait is the king and Kenny Chesney is about as big as it gets right now, though I wouldnt mind going back out on the road with him. Maybe I could go out on the road with some singers from other genres.
What's your road, man? - holyboy road, madman road, rainbow road, guppy road, any road. It's an anywhere road for anybody anyhow. Where body how?
You see, painting has now become, or all art has now become completely a game, by which man distracts himself. What is fascinating actually is, that it's going to become much more difficult for the artist, because he must really deepen the game to become any good at all.
You can't expect to be on MTV and critique George Bush. You can't expect to be on BET or the cover of 'The Source' advocating Jesus Christ or Buddha or Hindu Krishna or Moses. As a conscious rap artist, you have to play in the arena that you're supposed to be in. What is that arena? That arena is the college market. The conscious rap artist woos the college market, even though the college market is the wildest, most sexed-out, drug-driven market in the country, possibly the world.
I'd fully taken the road many people start on, but most abandon: common sense had given me a miss, and I'd become an artist.
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