A Quote by Todd Rundgren
My father was not really into popular music; I had to learn about that for myself.
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When I started music, I started out in Puerto Rico with classical music. But what really made me want to be a musician was jazz, and because I didn't grow up with jazz, I had to learn it from a very basic level. I had to go into the history and learn everything about the development of the music, all the players and all that stuff.
I didn't learn music because I wanted to become famous or earn a lot of money. It was to follow my father's advice and learn as much as I could about music.
I heard these stories [about musicians from my mother] and somehow music, it was my understanding what my father had done. I didn't know it was misinformation. It sort of inwardly in my psyche laid the template for music being affiliated with my father and my family.
I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records.
I only knew classical music, which to me was the only true music. The only way I could survive at the bar was to mix the classical music with popular songs, and that meant I had to sing. What happened was that I discovered I had a voice plus the talent to mix classical music together with more popular songs, which at the time I detested.
Popular music has always had its really horrendous stuff.
Every song is personal, but 'Ohio,' on my first EP, was on another level. I really opened up about the lack of relationship I had with my father. We stopped talking about four years ago, and I haven't had a father figure in my life since.
I don't, really a fashionable person. I'm an actor, so I like costumes. But fashion is very popular now. Really overly popular. It's like New Age music in the '80s, or art. And then independent film. Now everyone's a fashion designer. It's had a big effect in New York, in our culture.
I think Berklee College of Music had the highest dropout rate of any college - or pretend college - in the United States. Because I think most people think they're going to be in Green Day or whatever, and you actually have to learn about music you don't care for, too. I mean, I cared for a great deal of music; it's just that I didn't want to submerge myself into the well of fusion jazz.
With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.
I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.
I calculated the amount of time I spent with my father during my entire life... the total amount of time I had with him, if you add up the hours, was about two months. My father was a busy man... we had very few opportunities to really sit down and talk as father and son.
Music was around in my family in two ways. My mother would occasionally sing to me, but I was mostly stimulated by the classical music my father had left behind. I had an ear for music, I suppose, so that's what began my interest in music.
What I try to impart to a musician is to really try to practice the instrument in a really sincere way. Learn as much about music as you possibly can. Learn composition. Study to try to create compositions of your own and put your own personal touch on your music.
It's important to be gentle about my routines. I've learned that the hard way. When I'm really stressed out, I can take it out on my body and hurt myself. Sometimes I need to be as loving and soft with myself as possible. I've had to learn how to pay attention. It's a kind of mind-set.
I still have a lot to learn - about the business, about music, and about myself. Its exciting.
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