I was writing with different people in Nashville - whoever I could. Eddie Hinton came on the scene about 1963, and about four years later we wrote a ton of songs together. I drifted around, but Eddie and I had some cuts through the '60s and '70s. I went on the road with Kris Kristofferson in 1970.
I would say just start writing. You've got to write every day. Copy someone that you like if you think that perhaps could become your sound, too. I did that with Hemingway, and I thought I was writing just like Hemingway. Then all of a sudden it occurred to me - he didn't have a sense of humor. I don't know anything he's written that's funny.
I've worked with some of the best of them. Not just directors like Sam Peckinpah and David Lynch, but writers like Sam Shepard and singers like Bob Dylan, Willie Nelson, and Kris Kristofferson.
I was lucky that my parents listened to really good music. My dad loved Kris Kristofferson.
That's the cool thing, when I get to work with people I love. The biggest has probably been Kris Kristofferson on 'Bloodworth.'
Kris Kristofferson and Steve Goodman were the two most unselfish people I ever met.
Townes Van Zandt ranks alongside Kris Kristofferson and Bob Dylan. He inspired so many songwriters to shoot for something that's timeless.
Barbra Streisand, for one, is one of my idols. I've listened to her since I was a little kid - the first album I ever bought was 'A Star is Born' with Kris Kristofferson.
Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
We do things on an exchange basis in the music business - it keeps the wheels turning. That's how I can get people like Slash, Flea and Kris Kristofferson on my album. Collaboration should be done through trades rather than charging each other a fortune.
When I first got to Nashville, somebody said that [Kris Kristofferson and I] were the only two people who could describe Dolly Parton without using their hands.
I think for writers who write that kind of stuff, they want to make changes. Look at Kris Kristofferson and Dylan. I mean, whole generations come along liking that stuff and that's great.
I was terrified, terrified in Songwriter, because there I was, New York Jewish girl, singing country-western onstage with Kris Kristofferson and Willie Nelson. I mean, forget it. I was so terrified.
I was terrified, terrified in 'Songwriter,' because there I was, New York Jewish girl, singing country-western onstage with Kris Kristofferson and Willie Nelson. I mean, forget it. I was so terrified.
I grew up with the Highwaymen, which was Johnny Cash, Willie Nelson, Waylon Jennings and Kris Kristofferson. Mom and Dad rode rodeo, so country music was always in the house and the car. They threw in some Dolly Parton, too.
Kristofferson was writing what was really in his heart and saying it in ways we hadn't heard up till that point.