A Quote by Todd Solondz

I don't have a formula. Every time an actor wants me to hold their hand, I hold their hand. If they say, "Stay," I say "Okay, respect." You know? "I'm right over here." A kid, if I need to give a line-reading, I'll start acting out the part for the kid and just mimic the kid. You know? Whatever it takes.
I get up in front of a bunch of kids and say 'Hey, I'm gonna tell you a new story. Who wants to be in a new story?' Well some kid always sticks up their hand and that gives me a name, but it doesn't give me a story. I just say whatever comes to my mind and usually it's not that good. Every once in a while, however, I say something that turns into a really good story.
The Beatles, they had it all figured out, okay? "I Want to Hold Your Hand." The first single. It's effing brilliant, right?... That's what everybody wants, Nicky. They don't want a twenty-four-hour hump sesh, they don't want to be married to you for a hundred years. They just want to hold your hand.
Kid 1: *examining my gorgeous strawberry and blueberry pies*: Wow, Mom, your pies don’t look awful this time. Me (Ilona): ... ~A little later~ Kid 2: *wandering into the kitchen* Kid 1: Hey, you’ve got to see these pies. *opening the stove* Kid 2: Wow. They are not ugly this time. Kid 1: I know, right?
I'd like to have a kid, and I'd like to be driving around. I know a kid is going to be a big part of my life. I can trust my kid. I know my kid would be in the backseat of my car, and when I say You wanna get some ice-cream? he's going to be happy. My brother has kids. I see that trick work, the ice cream trick.
This is the great thing about writing for kids. Adults might not do anything if they recognized me. But if they do see me, and they're with a kid, they'll tell the kid who I am. They think they should give that to the kid. So generally that sends the kid over.
Every celebrity in the world, if their movie bombs or whatever, they hold their kid up on a magazine and say, 'I'm really a dad.'
You don't want to be slavishly doing the same thing over and over again that everybody else has done, but at the same time, you're conscious of, "This is important. I owe something to my ten year old self right now. I need to respect that." I need for that kid who is obsessively reading comic books, I need there to be something rewarding for him where he's like, I didn't waste my time. I know what this is.
Every kid wants to be an actor. When I was a kid, I thought, 'Oh, it'd be great to be like Errol Flynn. I want to be an actor.'
You know the reason The Beatles made it so big?...'I Wanna Hold Your Hand.' First single....brilliant. Perhaps the most...brilliant song ever written. Because they nailed it. That's what everyone wants. Not 24/7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche...or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can't hide. Every single successful song of the past fifty years can be traced back to 'I Wanna Hold Your Hand.' And every single successful love story has those unbearable and unbearably exciting moments of hand-holding.
When men die, they die in fear", he said. "They take everything they need from you, and as a doctor it is your job to give it, to comfort them, to hold their hand. But children die how they have been living - in hope. They don't know what's happening, so they expect nothing, they don't ask you to hold their hand - but you end up needing them to hold yours. With children, you're on your own. Do you understand?
In every school, there's always the kid who gets it the worst, and I was, for sure, that kid. Every time you had to get in a line that was boys and girls, it was like my worst nightmare. A lot of kids I know got made fun of for being gay; that was not my issue: I was just called a girl endlessly.
Forget about Republican or Democrat - what about the kid in the middle of the country who wants to play the drums, the kid who wants to learn how to write a book, or the kid who wants to write a screenplay? We need to give them access to the arts. It's not fair that if you live in a different part of the country, you don't have the chance to learn. And it's not fair that if you don't have as much money, you don't have the chance to learn.
People always tell me I need to have a kid, and I say, No, I don't. Because I wouldn't have just one kid; I'd have six. I need a huge family. So I just kind of fill my house with tons of rejects and misfits so it feels like I have a bunch of children.
The traditional story of economists has been to say education explains what the returns are to school. I say, 'Okay, that's fine, but what explains the education? How much is just a matter of my giving you a poor kid versus a rich kid?'
It used to be with chocolate. I would put chocolate in my studio and say, "You know, Nat, there's this chocolate you can have if you get over there." And usually if I got over there, I would start writing. Sometimes I need get out of the house and go to a café and write. Sometimes I'll write with other friends to get myself going. And sometimes I just say "Ok, Nat, enough. Go one hour. Keep your hand going." I'll do whatever it takes.
A kid of your age---any kid---could get hold of matches if she wanted to, burn up the house or whatever. But not many do. Why would they want to?
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