A Quote by Todd Solondz

Artwork can be a portal, a kind of rethinking and reseeing of the world as we live it. — © Todd Solondz
Artwork can be a portal, a kind of rethinking and reseeing of the world as we live it.
A "portal" is an opening (door, window, or opening). A heavenly portal or a glory portal is a heavenly opening through which God's goodness manifests. I have seen a portal in a vision and it was a circular opening where a column of light poured down into the earth. There were angels ascending and descending.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
People have been known to joke that my lifelong love of portal fantasies was born, at least in part, from the fact that stepping into my private spaces is a little like stepping through a portal into another world.
The artwork for the record is kind of an homage to that. It's a collage, which rhymes with homage, I just realized. It's an homage to this kind of almost like a teenager's idea of what the future might look like, if he were using a Xerox machine and cut-and-pasting it together. Which is exactly what we did to come up with the artwork.
Know thyself' was written over the portal of the antique world. Over the portal of the new world, 'Be thyself' shall be written.
Beneath the Sugar Sky' is an homage to the portal fantasies of my childhood: it is the portal running in reverse.
The very first plan I wrote for MySpace was that it would be a portal, but a portal wrapped around your user profile.
I see the experience of pictures as a kind of cycle, a kind of circular motion in which you're in the world, then you enter the picture and you're in a different world (it's not the same as the one you live in, but recognizable as one you might live in). And then you're returned to your world with an enlarged sense of its possibilities.
In a sense, the artwork is the most important thing in getting somebody to buy a book. The person probably won't buy a book if he doesn't like the artwork. Once you buy it for the artwork, you hope that the story will also be good.
For me, each book is kind of like a silent film. If you were to remove the words and just look at the pictures, you should be able to tell what the story is about without having to read a word of text. That's what I think I brought from doing artwork for film to doing artwork for books.
Rethinking capitalism means rethinking the role of the public sector, the role of the private sector, the role of finance, and the relationship between them all.
I've got some incredible fans actually - so loyal and they make me birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
I've got some incredible fans actually - so loyal and they make me card »">birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
If you've got a religious belief that withers in the face of observations of the natural world, you ought to rethink your beliefs - rethinking the world isn't an option.
I think, for me, Julian Schnabel set a great precedent in being able to cross over so successfully. I feel like his artwork is kind of big, grand, and bombastic, yet the films that he makes are very beautifully sensitive, and I just feel that his filmmaking sensibility is very different from his artwork.
The real art is in the street, is making the artwork, and for that you have to involve people. The action is actually the artwork.
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