There are a lot of ideas I have that I think would be very marketable and commercial, but they're not as compelling to me as the ones that are unmarketable, uncommercial, and unprofitable.
When I started to write music that was completely divorced from any sort of idea of commercial success, the real me started to come out. Normally, a musician in a session for a pop record would have to discard a lot of ideas because they won't fit, because they're not commercial.
I'm a commercial director; I do some very very commercial stuff in the commercial world. My music videos are always analyzed. I need to think about what the audience is going to think.
My first professional audition - god, I've never told anybody about this - was for a test commercial, I think it was for Xbox. It involved me getting kidnapped by a granny who wanted to play the Xbox. It was very weird and I definitely had no idea what I was doing. I actually got the gig. It wasn't a commercial; it was what directors did when they wanted to show the company what they would do with a commercial.
The way woman is defined by marketable modeling and commercial standards... It makes me feel alien to myself.
I would never do a commercial for something that is embarrassing, and I think that people maybe have a different perspective on what is embarrassing or not. Some people think doing a Revlon hair commercial is really cool. To me, that's embarrassing, but World of Warcraft - not embarrassing, very cool.
I would never do a commercial for something that is embarrassing, and I think that people maybe have a different perspective on what is embarrassing or not. Some people think doing a Revlon hair commercial is really cool. To me, that's embarrassing, but World of Warcraft: not embarrassing, very cool.
I was very headstrong about wanting to keep my name when I moved to Los Angeles. But casting directors would call my managers and say I was perfect for the part, but my name wasn't marketable - I was a young guy, and had the old man name of Gary. I kept losing jobs because of the name not being marketable, so I changed it to Garrett.
I find it, as ever, very unprofitable to have much to do with men. It is sowing the wind, but not reaping even the whirlwind; onlyreaping an unprofitable calm and stagnation. Our conversation is a smooth, and civil, and never-ending speculation merely.
A lot of people have told me along the way that my style and the music I do... is unmarketable. But the only reason I'm successful is because I have stayed true to myself.
I think what's happened in the modern world, there's a lot of people that sound very smart and it's very compelling and alluring, but it leaves you empty.
I do think that we'd do better if we just offered all the bureaucrats in the Department of Education very attractive early retirements. But whether you want to abolish the department is another matter. Maybe there's room for recruiting a lot of visionary people who would do very good things: develop new techniques, new ideas, foster innovative models, disseminate those ideas.
I want to see definitions of what's beautiful, compelling, palatable, marketable, sexy, and prestigious open up to a wider range of bodies, identities, and backgrounds.
Go on being uncommercial. There's a lot of money in it.
Tampon commercial, detergent commercial, maxi pad commercial, windex commercial - you'd think all women do is clean and bleed.
I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction rather than making the blanket assumption that all commercial fiction is unworthy.
I hate to think of a day where a compelling book or a compelling authorial voice would be lost simply because that person doesn't have a Web site. But I think that, to use the Internet in a positive way, to turn people on to reading, is something that authors shouldn't really shy away from necessarily.