A Quote by Todd Solondz
With Storytelling, at least, it's explicit: this is what the censors say American citizens, no matter what age, are not permitted to see, even though it can be seen by other people all over the world. I suppose you could call it a political statement.
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I doubt that there are many screenplays of movies that either of us have seen over the past 10 years that were first drafts, or were the work of purely one person. In my world, the actors and the director are all made of paper, and they do exactly what I say. I feel much more in control of the finished work. I feel like the statement that I'm making - even though it's in a medium by no means as glamorous or as widely recognized as film - is at least the statement that I wanted to make. That's a lot more important to me than the allure of working for Hollywood.
We are in a world where most American citizens over the age of 12 share things with each other online.
Tengo could hardly believe it-- that in this frantic, labyrinth-like world, two people's hearts-- a boy's and a girl's-- could be connected, unchanged, even though they hadn't seen each other for twenty years.
I don't view myself as a particularly intelligent people, but I do have one ability that I've demonstrated over and over again, that's helped me see things that other people for whatever reason have not seen. That's that most people see what they expect to see, what they want to see, what conventional wisdom tells them to see. I guess it could be stated that most people only hear the music, not the lyrics of human events.
Though I knew so far as Anarchism was concerned I was backing a lost cause, it didn't seem to matter as every other cause had won at some time but that of the people themselves. At least it threw so a light on any other political persuasion.
I like the way that American has become a kind of spiritual home even for people who have never seen it. American dreams are strongest of all in the hearts of people who have only seen America in their dreams. I think it's refreshing and reviving to go around the world and see how America still occupies this special place.
I know chances are if I don't give an interview or make a public appearance or statement from time to time, they'll invent one. Every so often, I suppose people ask, 'Whatever happened to that other Beatle, George Harrison?' And someone comes around with a ready answer, no matter how preposterous it seems. It's possibly the worst price one has to pay for what they call stardom.
Even if you are a liberal in the Muslim world, when you see Abu Ghraib and Guantanamo, and you see all the other reports of abuses by American forces, it's very hard to get up and say, "We should simulate the American ways," because this is the face of America now in the Muslim world, for many Muslims.
Storytelling is all about using the imagination, for me at least it is. That's why I'm bored sometimes to see movies. I'm bored to see TV. I never see TV. I see news sometimes. I'm sorry to say, I work in this business and I love working in it, but I haven't seen a movie in so many years.
The fastest growing segment of the population in the world right now is over the age of 90, and in some cases over the age of 100 in some countries. So people are living longer. And even though much of it is attributed to modern medicine, it's not. It's lifestyle. It's nutrition. It's the quality of exercise, the ability to manage stress.
For instance, in group therapy, I'll have people stand up, show off, give a speech about themselves as though they've just died and have to give a eulogy. Even with this explicit permission - even an order - to say something nice about themselves, this is the hardest thing in the world for people to do. They'd rather take their clothes off.
We could call you an ambisexual. A duosexual. A—” “Do I really have to find a word for it?” Kyle interrupts. “Can’t it just be what it is?” “Of course,” I say, even though in the bigger world I’m not so sure. The world loves stupid labels. I wish we got to choose our own. We pause for a moment. I wonder if that’s all—if he just needed to say the truth and have it heard. But then Kyle looks at me with unsure eyes and says, “You see, I don’t know who I’m supposed to be.” “Nobody does,” I assure him.
I've worked with a ginormous number of people over the years. What happens when you've been around for a while, when you run into people whose work you've seen and liked and they have seen and liked your work, there's a sense of you kind of know each other even though you don't.
And realising that humour is the most powerful way to make a political statement and say the things that you want to say. And it's not used enough, at least not in the U.S.
To me, when you got a 20-year-old running back or 21-year-old receiver that's just coming out of college and you're out working these guys, age really don't matter. So it's easy for me to see what it is. People say it's all about age, but to me, it's mind over matter.
Danger comes in many forms, I suppose. For some people, it might be jumping off a bridge or climbing impossible moutains. For others, it could be a tawdry love affair or telling off a mean-looking bus driver because he doesn't like to stop for noisy teenagers. It could be cheating at cards or eating a peanut even though you're allergic. For me, danger might be getting out from the protective cloak of my family and venturing into the world more of my own, even though I don't know what- or who- awaits me.
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