A Quote by Todd Solondz

I mean, I don't want to sound - of course it's very nice, people come up and say appreciative things about my work. But the loss, in terms of privacy and anonymity, is no small thing to me.
I've had lots of people saying very nice things about the work. But I genuinely feel in the course of a writing career you're going to have people say very nice things and some not-so-nice things, and if at all possible you should try to ignore both.
For me, getting comfortable with being famous was hard - that whole side of it, the loss of anonymity, the loss of privacy. Giving up that part of your life and not having control of it.
I'm somebody who values anonymity - not just in terms of not wanting people to recognize me or wanting my privacy, but I value anonymity in conversation.
People come up and say very nice things about my work, like, 'You were great in 'Blood Diamond!'
Does anybody like being recognized? I understand that it's my job. I'm grateful about people who are moved enough by the work to want to say something. But I mourn the loss of anonymity.
Yes, it's in my left ear. It's excruciating... I mean, it's the worst thing 'cause it's not... It never... It does go away - it's not true to say that it doesn't but, uhh... It doesn't... The doctors say it won't... It isn't actually going away - you've just gotta suppress... They try to come to terms with what it actually... Why some people fear it - that's the psychology behind it. They know it's there but why is it such a horrible sound? Well, you can say why is a guy scratching at a window with his nails such a horrible sound - I couldn't put up with that! This is worse!
No one can train you to be famous. How do you deal with the loss of anonymity, the loss of privacy? You have to be disciplined.
I enjoy those small chats you have when people come up and talk to you about your work. It only involves a few seconds of effort to be nice to those people, and I am very grateful for the kind words that people have taken the trouble to express to me in person.
One of the most important things for me in terms of my working method is doubt. I get very insecure about my ideas. And I don't say 'insecure' in kind of a paranoid way. I mean just: 'Are they good enough?' 'Is this the right thing to do?' I really beat myself up over that.
Treasure is the kind of thing you dig up... or bury! And when people say, 'Oh, he's an icon,' well, an icon is a very old painting hanging in a Russian church! If you want to say something, say something nice about me. Don't call me a national treasure.
Well, I don't think I've ever consciously come up with tricks and tools to, kind of, hide. I do think I'm a bit more vigilant, in terms of safety issues and things. And sometimes it is kind of nice to try to hold onto your anonymity.
I don't think when people sign up for a life of doing something they love to do they should have to sign up for a complete loss of privacy. I understand a little loss of privacy coming with the job.
It's always nice to have people love the things that you do. But it's a lot of hard work, and people are always passionate, if it's family fare or a drama, it's the same amount of work and people invest everything into that, and when it doesn't come out the way you want it to, of course it's hurtful.
This is the great thing about Northern Ireland. I walk down the street and people stop me and say things like, 'I know you. You're that wee golfer, aren't you?' I say, 'Yeah, that's me.' They say, 'Keep it up, wee man.' It's very funny and that's why I want to stay here as long as possible.
There's nothing like privacy. You know, I like people. It's nice that they might like my books and all that...but I'm not the book, see? I'm the guy who wrote it, but I don't want them to come up and throw roses on me or anything. I want them to let me breathe.
People always come up to me and say, 'you should do standup.' It's nice to discover things about yourself. That keeps everything lively and fun.
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