A Quote by Toks Olagundoye
Comedy has always been something I love, but for some reason - probably because of the British accent - I've always been pushed toward more period work.
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Class has always been a staple of British comedy. We've always been able to laugh at it. When British shows are translated to America, the absence of the equivalent class structure there often causes them to fail. But over here we've always got comic mileage out of it.
Because I have always felt privileged. I have been able to do what I love, I have always been treated well, I have always been paid well so that's why. I feel that I owe something; that I need to return something. It's always been a great pleasure but nevertheless I do feel this responsibility.
You know, I've just always been sort of goofy and kind of gone with it. I actually usually work more in drama, but I have been floating back and forth with comedy, and somehow they keep giving me jobs in comedy, so I guess there's something funny about me.
You know, I've just always been sort of goofy and kind of gone with it. I actually usually work more in drama, but I have been floating back and forth with comedy and somehow they keep giving me jobs in comedy, so I guess there's something funny about me.
A lot of the stuff that I've done has been more drama and less comedy. I've had some opportunities to do some comedy, and I've often wanted to do that because it fits with me very comfortably because I talk too much, and I'm always saying the wrong thing all the time.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I've always been sort of addicted to genre-jumping. I've never been in the mood to do the same thing I did last time. Hence, me going from 'Big Love' to romantic comedy, to period film... I can't sit still.
I've always been sort of addicted to genre-jumping. I've never been in the mood to do the same thing I did last time. Hence, me going from 'Big Love' to romantic comedy, to period film I can't sit still.
In this country protection has always, to some extent, existed; but at some times it has been efficient, and at others not; and our tendency toward freedom or slavery has always been in the direct ratio of its efficiency or inefficiency.
What I found most fun is just trying to get other people to crack up. That's always something that will help a movie and I've been lucky enough to have been able to work with some incredibly talented, collaborative comedy people in all of the stuff that I've been in. If you can get people laughing, cast or crew, you're going to have a good end product.
I have always been down to test what I can do and push the limits of my acting. I have always wanted to try new genres and stuff - but I love comedy. I grew up on comedy, and I love having a good time and making people laugh. But it is also really nice to switch it around and make people think and feel some darker emotions.
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
I'm always dying to do more comedic parts, I love it when I get to do something really overblown like Crazy, Stupid, Love that can just be silly. There have always been hilarious women, but I love that they are getting more and more attention.
People say there's no trace of an accent anymore, and there isn't because I worked very hard to lose it. And the reason I did that is a British accent in America is a real status symbol.
More than often, what you see, or what we've been able to recreate, has usually been a tampered-with version of what I have in my head, because the original idea has always been bigger. Every time I am in the mode of creating a show, there's always some level of gravity that comes in play, either of a monetary sort, or there's a space issue.
I just want to make my last demand in reverence to the work of what has been done by architects of the past. what was, has always been. what is, has always been. and what will be, has always been. such is the nature of beginning.
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