A Quote by Tom Anderson

Expensive gear helps for night shots, but I wouldn't recommend beginners overspend on a camera. — © Tom Anderson
Expensive gear helps for night shots, but I wouldn't recommend beginners overspend on a camera.
Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.
It usually helps me write by reading - somehow the reading gear in your head turns the writing gear.
You have games when you miss shots and when you make shots. But knowing you're here for a reason and you're an NBA basketballer helps.
Even enlightened people think of themselves as beginners. They probably think of themselves as beginners more than others do - perpetual beginners who begin again each moment because their subject is endless.
I feel like doing theatre helps my on-camera work and my on-camera work kind of helps my theatre work. So I love to be able to bounce through the mediums.
The Greeks could be a crushing bore. I recommend dressing everyone in combat fatigues or S&M gear.
My whole life I've always innovated the gear to match my pursuits. I've innovated the best climbing gear, the best slacklining gear, and definitely the most advanced BASE jumping gear.
I know it's not particularly tech-savvy of me to suggest a camera that doesn't have a touchscreen, but I think when it comes to candid shots of nights out with friends, there's nothing better than a disposable camera.
We do not want to be beginners. But let us be convinced of the fact that we will never be anything else but beginners, all our life!
When you start using more expensive cameras, everything around it gets more expensive, which is something we hadn't necessarily taken into account beforehand. Your lighting package gets way more expensive, and then coloring it is going to be more expensive. So I think all of that will essentially be cushioning our camera package. Budgets beget budgets, and expenses beget expenses.
You don't necessarily need expensive gear or giant budgets to reach an audience.
If a bout of "creepy face" sets in, the trick is to look away from the camera between shots and turn back only when necessary. This also limits how much of your soul the camera can steal.
I can't stress enough how unimportant the camera really is. Any brand of camera will do. For 95% of my shots, the lowest end DSLR will be just fine.
He [Charlie Chaplin] was always playing as if it were to the camera, if you've seen the live shots of him when he's going to an opening night or something like that. And the skills that he had were beyond my ability to throw together. You just couldn't really compete with him. He was too athletic at that.
How I wished I'd have had a camera of my own, a mad mental camera that could register pictorial shots, of the photographic artist himself prowling about for his ultimate shot - an epic in itself. (On the road with Robert Frank, 1958)
Alan Rickman was such a terrific actor, and that was such a terrific character that he played. And it was a joy to be with him. We used to laugh together because we ran out of reaction shots. They were always - when everything had been done and the children were finished, they would turn the camera around and we'd have to do various reaction shots of amazement or sadness and things. We used to say we'd got to about number 200-and-something and we'd run out of knowing what to do when the camera came around on us. But he was a joy.
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