A Quote by Tom Anderson

I've literally never seen a crowd react to a band the way they react to the Polysics. Signing them to MySpace Records was an obvious choice. I wanted to be the person to bring this seasoned band to a new culture and audience. I'm really proud of them.
I've seen him be successful throwing the football his sophomore year, I've seen that. I've seen him react through adversity, I have seen that. I'd never seen him react to a new system because we didn't have one. I'd say that'd be the most impressive thing.
In a way, the songs are written to be performed. I put them on records, but I'm always thinking about how an audience would react to it. I realized at age 7 that I wanted to be a performer, and I used to do that, and occasionally I'll get an acting job. I don't really make much of a living as an actor, but it's fun to do it when I get a job.
When you're writing for the screen, you have to be hyper-conscious every moment of how the audience is going to react. If you write just one scene where the audience is confused or it breaks their concentration in some way, then you've lost them, and you might never get them back.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
I am one hundred percent dedicated to Hellyeah. I love what I do in this band. I'm really proud of this band. Everybody in this band is such a special person, and the music that we make together, I really believe, is very special and the next level in my life.
I didn't feel like gymnastics were part of The Cars. I certainly philosophically didn't want to prod the audience to react to anything. To me, it was more like negative theater. We didn't really talk to the audience. I didn't see that being a part of this band.
For me, a great show is when there's a great rapport with the band and the audience, and we're all really into it. The first trick is to bring the audience into the band, break the ice, have a life, and be one, so you can enjoy the next hour and a half together.
If you're playing with somebody from another idiom, you can't react to them in the same way that you react to somebody that is closer to your idiom. You don't fall into the same habits. You find a new way of communicating.
The band can't exist without the crowd, and the crowd wouldn't be there if it wasn't for the band, and it really is something magical that people need.
The key thing about LCD Soundsystem is that people always wanted this band to exist. For years, it was glaringly obvious that a band like this should exist, and people were impatiently waiting for them to show up.
There's nothing like performing in front of a live crowd and just having people literally react to whatever it is you do, and there's nothing better than when you get that connection with the audience.
There's a good sarcasm and a camaraderie that comes after being in a band. And we've known each other forever. We've never been a band that fought or argued. As a songwriter, I'm really happy that the boys support me and contribute and that, but I've always wanted to be under the band Stereophonics.
Usually I write the songs at home and then I bring them in to the band; when we play them as a band, that's kinda how we figure out the feel of how they're going to be presented on the record or live.
I met The Beatles while we were playing in Germany. We'd seen them in Liverpool, but they were a nothing little band then, just putting it together. In fact, they weren't really a band at all.
You don't accidentally turn into a big band. Not even Nirvana accidentally turned into a big band. They toured - they wanted to become a big band. They didn't necessarily want to become that big of a band, but they still wanted to make a really good record and wanted to come out and tour.
We're a rock band. We're proud of it. We're not an art band, a noise band, or an extreme band.
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