A Quote by Tom Anderson

We felt like we reached a point where MySpace in its original incarnation had peaked in a way. — © Tom Anderson
We felt like we reached a point where MySpace in its original incarnation had peaked in a way.
I have always had stuff on the Internet. Way back in the Myspace days, I had a lot of friends on Myspace. And it is just all about, like, networking - contacting people and showing people, like, your mind.
I have always had stuff on the internet, way back in the Myspace days, I had a lot of friends on Myspace. And it is just all about like networking - contacting people and showing people, like, your mind.
It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B. It had to do with how it felt to be in the wild. With what it was like to walk for miles with no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.
I have a theory that no child ever does outgrow its ungratified legitimate desires; though subsequent maturity may bring him to the point where his original desire has reached such astounding proportions that the original object can no longer possibly appease it.
I reached a point in my life where I felt like I was living through some old character.
The culmination of all of that was the decision to start a company, which became Lotus, to do a product, which became 1-2-3. By the time I reached that point it had been four years, and it felt like a lifetime, but really it was kind of evolutionary.
Even when we were at that point when we had very few fans, we never felt like a small band. We always felt like we had a big purpose.
I felt that everyone had the same sentiments when it came to love that I did. I felt like if you really cared for somebody, then that was it. It never occurred to me that people could lie about the way they felt about you. I had to learn that the hard way.
During MySpace's run-up, journalists continually got their facts wrong about MySpace. They wrote story after story about how Facebook was bigger than MySpace when in truth Facebook wasn't even 1/10th the size of MySpace.
I was kind of a MySpace kid in high school, and people thought since I had so many MySpace friends that they didn't need to be nice to me in real life. They were like, 'You get enough attention online,' or they were jealous or something. I don't really know.
If you're content in WWE, then you have peaked. You have peaked in your own earning capacity for what you're going to bring home to your family, and you've peaked in what you offer to WWE in terms of your own talent to exploit.
Even the most self-confident people, at one point of their lives, felt like outsiders or felt like they weren't being heard or seen or witnessed in some way.
I found a Bill Evans record in the bookcase and was listening to it while drying my hair when I realized that it was the record I had played in Naoko's room on the night of her birthday, the night she cried and I took her in my arms. That had happened only six months earlier, but it felt like something from a much remoter past. Maybe it felt that way because I had thought about it so often-too often, to the point where it had distorted my sense of time.
. . . this rage - I have never forgotten it - contained every anger, every revolt I had ever felt in my life - the way I felt when I saw the black dog hunted, the way I felt when I watched old Uncle Henry taken away to the almshouse, the way I felt whenever I had seen people or animals hurt for the pleasure or profit of others.
When I started on MySpace, people wanted to support me, but once I rose to fame with the MTV show, they felt like I had abandoned them for some reason, that I was too famous to talk to them anymore.
I felt that all of us working on our remake of '13 Assassins' had to honour the original director, Eiichi Kudo, and everyone else who created the original.
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