A Quote by Tom Araya

Slayer has always been about the sound. We have to sound good. It has to be tight. — © Tom Araya
Slayer has always been about the sound. We have to sound good. It has to be tight.
When you're in a club or a theater or even an arena, yeah, you want visuals, you want a good light show. But Slayer has always been about the sound. We have to sound good. It has to be tight.
I think what's cool about Slayer is no matter how old their albums are, it's the one band to me that their sound is immortal. It never sounds corny to me. You can go back and listen to some Pantera and Metallica albums, and you're like, 'OK, great music.' But Slayer, you go back, and they always sound fresh and hard as hell.
How we sound was always the intention of how the band should sound. It has nothing with other options or going in a different direction. This has been the Evergreen Terrace sound all along and always will be.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
It seems like the powers that be are really trying to separate everything and really divide the genres and divide the trends. If you're metal and you don't sound like Slayer would sound now, then you're not metal. If you're punk rock and you don't sound like and preach about what The Sex Pistols would have preached about back in the day, then you're not really punk rock.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
For me it's always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it's always sound first and then the line afterwards.
I've been around a lot of artists who are also good at business, and... one minute they'll sound like an artist, and the next minute, they'll sound like the characters in 'Mad Men.' Jay-Z's a very good businessman, and he talks about it and enjoys it, but he doesn't shift.
If you tell a lie, always rehearse it. If it don't sound good to you, it won't sound good to anybody.
Sound had always been my portal to poetry, but in the beginning, sound was imagined through the eye.
I didn't know anything about film when I first started - I was a painter - but I [always] felt that sound was just as important as the picture. The sound, picture, and ideas have to marry. If an idea carries with it a mood, sound is critical to making that mood.
We are always fortunate to have our own sound folks with us that do a great job in ensuring that everybody can hear and the sound is good.
I've always been very honest about what's good and bad in my writing. That honesty might have made me sound arrogant sometimes, when I was talking about work I thought was good.
Sound and sound design has always been very important to my approach to film, because it is a more subversive and allusive aspect of the medium.
Seeing young people caring about sound again and realizing that it's not cool to not have good sound, that means a lot.
We love a good, hyped sound, but when it starts to sound insincere, that's when I lose interest. I hope that our music, even if it sounds polished, doesn't sound insincere.
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