A Quote by Tom Baker
My capacity as a monk was to passionately believe utter nonsense, and when you're an actor you have to do the same thing. Also, Christianity used to have a lot to do with self-loathing and an acceptance of criticism and things like that which is terribly important for actors.
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It used to be that you kind of got pigeonholed into one thing - you're either a stage actor or a TV actor or a movie actor. Today, there's a lot of crossover with film actors doing television, which never happened before, so those lines are a little bit more blurred than they used to be.
I believe we all have the capacity to be masters of many things, and there's nothing that we can't do. You can be a great actor and also be a great writer. There's so many things that all of us have the capacity to do. But somehow, life tries to convince us that we'd be lucky to do even one thing well, and I disagree.
Géza Röhrig is just incredible because he's not an actor, he's a Hungarian poet. He also happens to be a brilliant actor. He's totally unusual, the way he talks and thinks and operates isn't in the same language as you're used to from actors who've been in a lot of things before. It brings this completely bizarre and fresh, wonderful way of approaching everything that I love being around. Not where I'm, as a producer, having to interact with him as an artist, but as somebody who can stand back and admire what he's bringing to this thing that I've nurtured to create a stage for him.
I used to once believe that the script is the most important thing, but now I also believe that the kind of people you are working with also matters a lot, and moreso, to see how the film will be promoted.
I believe passionately that games are an art form, and that the power of our medium flows from our audience, who are deeply involved in how the story unfolds, and who have the uncontested right to provide constructive criticism. At the same time, I also believe in and support the artistic choices made by the development team.
People used to believe only a professional could do tiling or install track lighting. That's utter nonsense.
Like, your body has to get used to being in front of people. Like - and you have to be like - you have to be kind of a ham, you know? Like, the thing about writers is they're generally self - comedy writers - self-loathing, sort of play small. And as a, like, performer, you have to think like a comedy writer but act like a performer.
When actors try new things, cinema also gains a lot from it. At the same time, the nature of the business is such that if something works, people offer the same thing to you over and over again.
Self-acceptance begins in infancy, with the influence of your parents and siblings and other important people. Your own level of self-acceptance is determined largely by how well you feel you are accepted by the important people in your life. Your attitude toward yourself is determined largely by the attitudes that you think other people have toward you. When you believe that other people think highly of you, your level of self-acceptance and self-esteem goes straight up. The best way to build a healthy personality involves understanding yourself and your feelings.
I'm wired with a little bit of self-loathing, not that kind of self-loathing that paralyzes me, but it's there. The things I'm most loved for are sometimes the things that annoy me, not my favorite stuff, but those flashes of genius moments, they're called, I rarely see them as a one eureka light bulb idea.
Close girlfriends I don't have necessarily, as an actress. Perhaps there is a thing of competition there, you know, when you're doing the same things, and you're the same age. I could be with younger actors, but woman of my age probably - there is and there isn't, one doesn't like to think of it, but I think there is a sense of competition. Which is good, also.
A lot of the problems I had with fame I was bringing on myself. A lot of self-loathing, a lot of woe-is-me. Now I'm learning to see the positive side of things, instead of, like, 'I can't go to Kmart. I can't take my kids to the haunted house.'
Like a lot of people, I've got a self-loathing streak that's alive and well. It acts as a de facto engine when I'm working, but it also has its extraordinary pitfalls, too.
I would like to be able to be both a film actor and a stage actor - to be an American actor in the style of a lot the English actors who do films. They are these wonderful actors who can do everything.
What musical performers bring to straight characterizations is that physical flexibility that comes with knowing your body so well. A lot of actors are terribly awkward. Terribly. And I think it's so important for them, when they're young, to work on their physical selves.
That was one of the big problems in the [Black Panther] Party. Criticism and self-criticism were not encouraged, and the little that was given often wasn’t taken seriously. Constructive criticism and self-criticism are extremely important for any revolutionary organization. Without them, people tend to drown in their mistakes, not learn from them.
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