A Quote by Tom Bateman

If you're playing someone who's not like you at all, it's good to find music that is their rhythm and their energy. — © Tom Bateman
If you're playing someone who's not like you at all, it's good to find music that is their rhythm and their energy.
I could hear music playing in the background of works by certain authors, like Poe and Shakespeare. And I discovered Nikki Giovanni when I was in eighth grade. Her writing has a musical energy with pulse and rhythm, almost like jazz or hip-hop.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
The music has a better feeling when you're responding to what's going on. Music is like playing handball, playing catch with someone, not playing golf. Everywhere the ball bounces is where you respond to it.
Playing music for as long as I had been playing music and then getting a shot at making a record and at having an audience and stuff, it's just like an untamed force... a different kind of energy.
I remember listening to like gospel-y blues tunes. I'd just listen to the rhythm and the music was upbeat. Always upbeat if you get like a good rhythm you can nod your head. You just feel good. But then when you listen to the lyrics it was quite sad.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
A great way to get your rhythm playing together is to work with a drummer, preferably someone that has a good groove and plays solidly in time.
The idea that rhythm is intrinsically human — not just primitive — that we all have hearts that beat at a steady rate and don't stop...reminds me of life itself. In that sense my music is like certain popular music where the rhythm drives from beginning to end.
I see people who work on their look and they work on their poster and their website and you know, the music will speak for itself no matter what. So if you put maybe like 95% of your energy on music and 5% on playing out and telling people about it. That's kind of a good equation.
I prefer music but sometimes if there's on talk radio - someone might be on that I like. I listen to the old - to "Air America," down at the - liberal talk shows and things like that I find kind of nice, their criticizing the conservatives. I find that quite relaxing, entertaining, but music, a lot of music.
Classical music is far from boring - it has all the blood, energy, the sinister dark side, rhythm that rock music has, and all the refined, subtle sensuality that one can ask for
When you're playing week in, week out, you're feeling fit, you feel strong, that's what you want. You find a rhythm, if you like.
The thing that I always notice that dates a record is the rhythm section. With a good arranger the music can be timeless. But, rhythm can change, because heaven knows, we didn't know rock was going to come in, did we?
I don't only like rock music. There are other forms of music that I find interesting. I would want to do everything, every kind of music. I wouldn't want to be limited to like playing heavy metal or whatever.
Whether in music or in fiction, the most basic thing is rhythm. Your style needs to have good, natural, steady rhythm, or people won't keep reading your work.
I feel like all this stuff that we make: books and art and music, all of it. There's this energy that circles the world that wants to be made manifest, and it is just looking for someone to come through. And it's dying for you to make it. And if you don't do it, it will go find somebody else.
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