A Quote by Tom Brady

I don't put any thought into the footballs after I choose them. When you're out there playing in front of 70,000 people, like a home crowd, you don't think about it. You're just reacting to the game.
I get to put on a helmet, go out in front of 70,000 people and play a kids game. And they pay me to do it.
When you walk out in front of an audience of over 70,000 people, you've got to be on your game. They deserve it.
If you are playing at home to Cyprus you have to be on the front foot. You have to get the crowd onside, get at them, create chances and keep the back door closed so you don't lose any silly goals when you are on top in a game.
Not just Mexico. Columbus should be the home of any big game. There's absolutely no doubt about that.To be able to play in front of a decidedly pro-American crowd for both Mexico games, and to win them both 2-0, is fantastic for everybody.
My dad and some of them felt I should be playing on home soil and retire in front of the home crowd.
It doesn't get much more special than playing at Wembley in front of 70,000 people. It's definitely what dreams are made of.
Maybe you play a melody twice. You play it once like you like it, and some parts that you don't like you can just switch. An eight-bar motive - you can just take it and put it in the front or back or something like that. It can save you 50 or 60 or 70,000 dollars, a drum machine. That's why everybody uses it.
Playing regular first-team football is a massive carrot as I have been in the reserves for two or three years. I'm used to playing in front of two or three hundred people and now I could be running out in front of 40,000 or 50,000.
There's something perverse isn't there, if you're playing in front of 100,000 people and there's 2000 people down the front who don't like, you think: what is it that they don't like?
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines.
I don't have a goal of playing in front of 10,000 people or 100,000 people, it's about seeing the journey and the progress. Like how each show, you have 200 more fans or 400 more fans. It's just fun.
I don't really think much of any songs I put out like I know... I think they're good, that's why I'm putting them out. But like I don't ever try to expect anything, so even with 'Caroline' or 'Red Mercedes,' I just put them out and hope for the best and people kind of gravitate towards them and I guess that's pretty cool and that's a blessing.
The crowd also sets you up for success. When you're playing in front of 8,000 the pressure is on, right? People are watching.
I'd say three years ago we played in my hometown of San Antonio for 55,000 people at the Alamodome and walking out there with a crowd like that is just, you're excited, you're scared. There are just so many emotions going on. I still get nervous for things like that until after I sing about the first one or two songs, then I settle down.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines. The people who do that as a profession are very talented because it's certainly not easy.
I thought, you know, I can sit at home in my La-Z-Boy, on Facebook, and reach more people than I can on a tour. Because I reach 30,000 to 40,000 people for every Facebook post, some even reach 50,000 to 60,000. And I thought, if it's about reaching people, and not about making money, why bother touring?
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