A Quote by Tom Brokaw

David Brinkley was an icon of modern broadcast journalism, a brilliant writer who could say in a few words what the country needed to hear during times of crisis, tragedy and triumph.
... Don [Hewitt, 60 Minutes exec producer] told me, "You have set broadcast journalism back 20 years." Naturally, I was both proud and elated although too modest to say so, but broadcast journalism recovered with alacrity, my contract wasn't renewed, and the incident was forgotten.
David Simon is a brilliant writer, brilliant at being able to take what is ordinary and make it extraordinary.
The ‘I’ character in journalism is almost pure invention. Unlike the ‘I’ of autobiography, who is meant to be seen as a representation of the writer, the ‘I’ of journalism is connected to the writer only in a tenuous way—the way, say, that Superman is connected to Clark Kent. The journalistic ‘I’ is an overreliable narrator, a functionary to whom crucial tasks of narration and argument and tone have been entrusted, an ad hoc creation, like the chorus of Greek tragedy. He is an emblematic figure, an embodiment of the idea of the dispassionate observer of life.
I broadcast games. I think there is a huge difference between print journalism and broadcasting. I don't have to say, 'sources close to LeBron James,' five times a game. I can just put my name to it. I say what I believe. It doesn't mean it's right. It's what I believe.
One of the major symptoms of the general crisis existent in our world today is our lack of sensitivity to words. We use words as tools. We forget that words are a repository of the spirit. The tragedy of our times is that the vessels of the spirit are broken. We cannot approach the spirit unless we repair the vessels. Reverence for words - an awareness of the wonder of words, of the mystery of words - is an essential prerequisite for prayer. By the word of God the world was created.
You don't have to say something directly to affect someone. You can make a piece of music without words that can capture a feeling of tragedy or struggle or anger or triumph. It's the translation of the human experience into another form.
I was a broadcast journalism major at the University of Illinois, so there's always part of you that thinks you could, or hopes you could, but it's not like you can just walk in and get a TV job.
There has been a banking crisis, a financial crisis, an economic crisis, a social crisis, a geostrategic crisis and an environmental crisis. That's considerable in a country that's used to being protected.
You're never going to hear me say, 'Well, I've been critical of Obama five times, so now I need to be critical of McCain five times.' That is a false equivalence, and that's what I think is wrong with journalism.
This is a very proud moment for journalism. I think The New York Times and The Washington Post are genuine champions in this moment. The role that they are playing in democracy is the role that you hear about journalism playing in civics classes. Other people are doing great work, but the Times and the Post have really been leaders. The public is watching, and they are hungry. They know something is wrong, there's a lot of anxiety out there. There's a real sense that the mission of journalism is very clear.
The Lord's Prayer is 66 words, the Gettysburg Address is 286 words, there are 1.322 words in the Declaration of Independence, but government regulations on the sale of cabbage total 26.911 words. The difference between literature and journalism is that journalism is unreadable and literature is not read.
I studied journalism at Binghamton University, even interning for NBC's longtime anchor Carol Jenkins. Before graduation, I told my parents I wanted to pursue broadcast journalism.
I think if there's some kind of crisis in news journalism... a crisis of credibility, then it's been created by journalists. I'm empathetic, I understand it and I see it, but I'm not sympathetic about it. If you want people to think of journalism with higher regard then do better work.
I hear bands say they don't know what country they are in at times. Now I understand because we sleep at weird times and are always in different places - but I'm not moaning. It's all fun.
Forget horror icon, Kety Bates is an icon. She's an acting icon. I was raised on so many of her films, everything from Misery to Fried Green Tomatoes to Delores Claiborne, all films that I've watched multiple times and been inspired by.
It is a modern tragedy that despair has so many spokesmen, and hope so few.
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