A Quote by Tom Brokaw

My own strong feeling was that the gay liberation movement really got national attraction in the truest sense of the word later in the '70s, in the '80s, and especially in the '90s.
The '90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the '90s than they were in the '80s. The '90s was Ecstasy, the '80s was yuppies. There was that whole Ecstasy culture. People were having a pretty good time in the '90s.
My childhood was pretty colorful; I like to use the word turbulent. But it was a great time to grow up, the '70s and '80s in Brooklyn, East Flatbush. It was culturally diverse: You had Italian culture, American culture, the Caribbean West Indian culture, the Hasidic Jewish culture. Everything was kind of like right there in your face. A lot of violence, you know, especially toward the '80s the neighborhood got really violent, but it made me who I am, it made me strong.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
I love the '70s, '80s, and '90s.
In the '70s, the gay movement was really making strides. Huge strides. And then AIDS came along and slapped a judgment on it all and the Right Wing religious movement was like, 'See. This is why, we told you.' And it pushed back the movement 30 years.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
They say history always repeats itself and I pulled a lot of inspiration from the '90s and '80s and '70s. I don't know if I was born in the wrong decade or something, but I really gravitate towards that era.
In the ’70s it was skateboards, in the ’80s it was drugs, in the ’90s it was art, and now it’s my family.
I don't deny that I study everything. Stuff from the 70s, 80s, 90s, current I watch it all.
I look up to a lot of old school drummers from the '70s, '80s, and '90s.
You can exercise right through to your 60s, 70s, 80s and even 90s.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
My heart is always listening to the music I grew up with from the '70s and '80s to early '90s.
In the '70s, '80s and '90s, noted actors like Iftekhar used to get mainly police officer roles, Bindu ji would do a negative role, and Nirupama Roy was the on-screen mother. All this had its own charm. There was a fixed casting.
We didn't have much money growing up, so we hopped around L.A. a lot in the '70s, '80s and '90s. I'm very familiar with the shifting culture there.
It won't ruin our movement if someone gets killed in an animal rights action. It's going to happen sooner or later. The Animal Liberation Front, the Earth Liberation Front - sooner or later there's going to be someone getting hurt. And we have to accept that fact. It's going to happen. It's not going to hurt our movement. Our movement will go on. And it's important that we not let the bully pulpit of the FBI and the other oppression agencies stop us from what we're doing. They are the violent ones. They are the terrorists ... we have to keep doing what we're doing.
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