A Quote by Tom Brokaw
The year of my birth, 1940, was the fulcrum of America in the twentieth century, when the nation was balanced precariously between the darkness of the Great Depression on one side and the storms of war in Europe and the Pacific on the other.
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From last century's 'The Birth of a Nation' to this century's 'Gods and Generals,' Hollywood has likely done more than any other American institution to obstruct a truthful apprehension of the Civil War and, thus, modern America's very origins.
Once Europe's colonial empires were sent into deep decline, thanks to World War II, America became globalization's primary replicating force, integrating Asia into its low-end production networks across the second half of the twentieth century - just like Europe had integrated the U.S. before.
In the middle of the nineteenth century, the United States embarked on a new relationship with death, entering into a civil war that proved bloodier than any other conflict in American history, a war that would presage the slaughter of World War I's Western Front and the global carnage of the twentieth century.
The war between being and nothingness is the underlying illness of the twentieth century. Boredom slays more of existence than war.
Look how men live, always precariously balanced between good and bad fortune.
The hope for the twentieth century rests on recognition that war and depression are man-made, and needless. They can be avoided in the future by turning from the nineteenth-century characteristics just mentioned (materialism, selfishness, false values, hypocrisy, and secret vices) and going back to other characteristics that our Western Society has always regarded as virtues: generosity, compassion, cooperation, rationality, and foresight, and finding a increased role in human life for love, spirituality, charity, and self discipline.
The Great Depression of the 1930s saw more American unmarried women working from nine to five, mostly in repetitive, boring, subordinate, dead-end jobs. But the number of working women doubled between 1870 and 1940. During World War II it doubled once again.
The humanities and science are not in inherent conflict but have become separated in the twentieth century. Now their essential unity must be re-emphasized, so that twentieth-century multiplicity may become twentieth-century unity.
We don't have a great war in our generation, or a great depression, but we do, we have a great war of the spirit. We have a great revolution against the culture. The great depression is our lives. We have a spiritual depression.
For many people in the west, Afghanistan is synonymous with the Soviet war and the Taliban. I wanted to remind people that Afghans had managed to live in peaceful anonymity for decades, that the history of the Afghans in the twentieth century has been largely pacific and harmonious.
The one question I would have for Donald Trump is inspired by his 'Make America Great Again' cap. I would ask him, 'When was America great? When did America not have an economic depression or a war?'
The great problems of the Twentieth century will have immediate relation to the discoveries of America, of Africa, and of Australia.
All three of the great waves of nineteenth- and early-twentieth-century European immigrants to America innovated.
There has never been a century that has not had a systemic war - a systemic war, meaning when the entire system convulses. From the Seven Years' War in Europe to the Napoleonic Wars of the 19th century to the World Wars, every century has one.
It has been said that the three great develpments in twentieth century science are relativity, quantum mechanics, and chaos. That strikes me the same as saying that the three great developments in twentith century engineering are the airplane, the computer, and the pop-top aluminum can. Chaos and fractals are not even twentieth century ideas: chaos was first observed by Poincare and fractals were familiar to Cantor a century ago, although neither man had the computer at his disposal to show the rest of the world the beauty he was seeing.
Modernism really started with people getting infatuated with the idea of "it's the twentieth century, is this suitable for the twentieth century." This happened before the First World War and it wasn't just the soldiers. You can see it happening if you read the Bloomsbury biographies. It was a reaction to a great extent against Victorianism. There was so much that was repressive and stuffy. Victorian buildings were associated with it, and they were regarded as very ugly. Even when they weren't ugly, people made them ugly. They were painted hideously.
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