A Quote by Tom Brokaw
My mentor in the transition from the old Gabriel Heatter and John Cameron Swayze way of doing things was David Brinkley. He brought an entirely different style to what we were doing.
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I remember when John Cameron Swayze over the television told me personally that the Russians now had the atomic bomb; then I knew that we were goners.
He kind of makes me ill, David Cameron. I liked the old-fashioned Tory - like Winston Churchill, who had style. But Cameron's like a new breed - computer-generated. I hate it.
David Cameron has a different style to Gordon Brown.
Using technology merely to lower operational costs amounts to standing on a whale fishing for minnows. It just allows you to do the old thing more efficiently, where in this moment of deep transformation, it is much more likely that you should be doing something entirely new in an entirely different way.
I like David Cameron. He has had a couple of rough statements, but that's okay, I think David Cameron's a good man.
I would watch a lot of old tapes of David Letterman doing his talk show and a lot of interviews. I never had a mentor in my career because my approach has always been so different. Letterman stayed true to who he was, and his staff was always fantastic, so for me, that was always important.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
I think that's what the most fascinating part of getting to know someone is - to see how they do things, and how their way of doing things is different from your way of doing things, and the fun of trying to do it their way and to see what value there is in looking at things from their perspective.
As I've gone through life, I've found that your chances for happiness are increased if you wind up doing something that is a reflection of what you loved most when you were somewhere between nine and eleven years old. [...] At that age, you know enough of the world to have opinions about things, but you're not old enough yet to be overly influenced by the crowd or by what other people are doing or what you think you 'should' be doing. If what you do later on ties into that reservoir in some way, then you are nurturing some essential part of yourself.
Essentially the Obama administration sabotaged Trump's transition to the White House. They were doing this during the transition. While Obama's talking about, "I want the smoothest transition in the history of transitions," he was sabotaging it even then.
A lot of my friends were mostly working in black-and-white-people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing. What each of us was doing photographically was entirely different, but we were basically coming from the same place, sort of like a club.
I played a lot under John Wright, he's been a great influence on how I'll go about the job, in terms of being in the background. When I became a mentor for Mumbai Indians, I brought John in because he understood a lot about Indian culture and then the way coaches work.
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
David [Cameron] has been an outstanding friend and partner on the global stage and, based on our conversation, I'm confident that the UK is committed to an orderly transition out of the EU.
Whenever I'm doing any film, there's always three different things. There's the script, which is really just a blueprint. And then, you shoot the movie and it's an entirely different experience than you would expect from reading the script. And then, there's the whole post process and the editing, and it becomes something else entirely.
I was missing out on a lot of things that my friends were doing, but in another way, they were missing things I was doing. It was kind of a trade-off I had to make.
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