A Quote by Tom Cavanagh
Any movie that gets made and ends up in a position where people are coming to talk about it, it's not a small thing.
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There was so much talk about the movie and we thought, "Wouldn't it be great to still do the movie, but to give everybody this thing they didn't see coming?" Even with the number of episodes, it was reported that there was going to be 10 episodes, and then there was talk about adding more.
The main thing about awards in movies is that they can serve as an economic surge for the film. If you're movie gets nominated for any award it does it a big favour. People might go and see it again... they won't give up on it.
Quality isn't about where the money came from or which company gets to put their name on the thing. What matters is who made the movie and why they made it.
Small business is crucial. I think we talk so much about large businesses, they're well represented; they talk well for themselves. But most people work for small businesses; most wealth that stays in a community gets generated from them.
I don't just do a movie to do a movie. Of course I want to amuse people, but some of Madea's greatest moments are when she gets to talk about child rearing and bullying and all kinds of things like that.
I'm not a person that thinks back in the first place. I think forward. And it's always been less that people didn't get the character, but more people being mad that the movie fell short. Or people would say they are glad the movie went in the toilet. And I totally agree with them. I think there are some movies I made that it was a good thing they went into the toilet, because they weren't good enough. The director f - -ed up, or the production was too small, or I screwed up, whatever the reasons are.
When I am working on a movie, all I want to talk about is the movie. All I want to be with are the movie people. It's like a clan. If I'm asked to people's houses for dinner, I hate to go, because they'll talk about other things.
I kind of joke with myself that you shouldn't be able to be a creative producer if you weren't a first AD. Because it is such fantastic training for really understanding what everyone does, and how the movie actually gets made. You have to know if you're the first you're kind of the set general, you're at the director's right hand, you know everything about how a director puts a movie together, you know everything about how a movie gets made.
I can't stress it enough that we genuinely love 'The Room.' Like I said, I've seen it more than any other movie that's ever been made, and it gets to a point where if a movie is that watchable, when can we just call it a good movie?
I'm sticking to what I've always said, either the right movie gets made or no movie gets made.
When you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.
Let's clear one thing up: Introverts do not hate small talk because we dislike people. We hate small talk because we hate the barrier it creates between people.
I grew up in Pennsylvania in a small town. Real small, like one high school and one movie theater. Well, there was a state college there, that was the only good thing about it.
One thing I definitely experienced up here (New York), that maybe I have to sort of cop to feeling defensive about, is since the election, people in my cohort, who are sensitive to portrayals of people in the movie as classist, have had no problem coming up with those sorts of [middle-American] stereotypes about a phantom real person they can blame for re-electing George Bush.
Before any movie of yours gets made, it will be vetted by the studio's marketing department. So, you do have to answer the question: Who is your movie for?
What's interesting is that you can have a set that's very calm, very smooth, very cooperative... and end up with a terrible movie. And you can have a set that's really horrible as far as relationships and volatility, and come up with a great movie. Sometimes that energy gets infused into what ends up on film - it's interesting in that way.
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