A Quote by Tom Clancy

Every novel begins with the speculative question, What if "X" happened? That's how you start. — © Tom Clancy
Every novel begins with the speculative question, What if "X" happened? That's how you start.
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
A good novel begins with a small question and ends with a bigger one.
Thus, the question of how and when to start vagabonding is not really a question at all. Vagabonding starts now. Even if the practical reality of travel is still months or years away, vagabonding begins the moment you stop making excuses, start saving money, and begin to look at maps with the narcotic tingle of possibility. From here, the reality of vagabonding comes into sharper focus as you adjust your worldview and begin to embrace the exhilarating uncertainty that true travel promises.
Jews read the books of Moses not just as history but as divine command. The question to which they are an answer is not, "What happened?" but rather, "How then shall I live?" And it's only with the exodus that the life of the commands really begins.
Jews read the books of Moses not just as history but as divine command. The question to which they are an answer is not, 'What happened?' but rather, 'How then shall I live?' And it's only with the exodus that the life of the commands really begins.
I just want people to question everything. Question what your congressman is doing, your city council. Question what really happened during the Civil War. What happened during 9/11.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
A novel is not an allegory.... It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing.
People think that because a novel's invented, it isn't true. Exactly the reverse is the case. Biography and memoirs can never be wholly true, since they cannot include every conceivable circumstance of what happened. The novel can do that.
Your circumstances will only change when you begin to question them. Change begins with a question. Revolutions start with a question. Revolutionize your life.. Do not conform to the emptiness, the sadness, breakdown, failure, weakness...instead REVOLUTIONIZE your life & CONQUER your circumstances.
I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing.
In general, I think every novel is a political novel, in that every novel is an argument about how the world works, who has power, who has a voice, what we should care about. But political novels can be boringly polemical if they end up being too black and white, too one dimensional, like war is bad, killing people is wrong.
But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel ... it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended.
I'm a big Philip Roth fan. I think "American Pastoral" is the great American novel of the past 30 to 40 years. It's a novel about what happened in the 1960s, and I think America is still dealing with what happened then. It's devastatingly sad.
There's more to research than just looking up facts. Eventually, you have to make subjective calls. If you're writing a science fiction novel, there's probably some speculative technology in it. You'll have to decide how to project existing technology forward in a plausible way.
Legacies are defined not by what happened to you or how it happened. It's how you pick yourself back up and you continue to fight each and every day.
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