In fact, Guerra based his story on the diaries of two explorers, German Theodor Koch-Grunberg and American Richard Evans Schultes. There work is some of the only documentation of cultures that have since vanished. But Guerra did not want white men to be his protagonists.
I think any athlete will tell you that season-ending losses stay with you for a long time. If you are one of the main reasons for a season-ending loss, it sticks with you longer.
One of the main reasons I wanted to work on 'World War Z' was because I'm a huge fan of the book, and I love the idea of taking a non-linear story and creating a three-act structure out of it.
Our reasons for believing Jesus existed and also that He was who He claimed to be - the God who came down - are the same reasons for believing any fact of history: the documentation is substantial and it passes all the tests of historical reliability. Scholars - both liberal and conservative - overwhelming agree that Jesus of Nazareth was a man of history and the Gospels, on the main, tell His story accurately.
I wanted to tell, in Hebrew, about my father who sat in jail for long years, with no trial, for his political ideas. I wanted to tell the Israelis a story, the Palestinian story.
I've wanted to direct for a long time, but it had to be a story I wanted to tell. The writer's job is to find the story that he should tell.
I didn't want to tell the story of what makes two people come together, although that's a theme of great power and universality. I wanted to find out what it takes for two people to stay together for fifty years -- or more. I wanted to tell not the story of courtship, but the story of marriage.
One of the reasons I started working at 'South Park,' actually, was that I wanted to learn how to structure things and how to tell a story.
Looking back, I do think one of the reasons 'Thirteen Reasons Why' has been so successful is not because it deals with serious issues but because I had a unique and interesting way to tell that story. I knew the issues were going to be dealt with in the book, but I felt my job was to write the story as entertainingly as possible.
I wrote 'Twenties' back in 2009. I always wanted to tell a story where a queer black woman was the protagonist, and I'm so grateful to TBS for giving me a platform to tell this story.
That was one of the reasons why I wanted to tell the story of Colin Price. I saw someone in this fictionalized political character that was trying to do something important for his city. He meant well, but then you see that the human flaws had really derailed his past. It seems to be happening more and more in our country. I wanted to hold a mirror up to that.
I wanted to tell a dream-come-true story about going from a closeted gay kid who loved pop culture to an out adult man making pop culture. I went from being told when I was 21 that I should never go on TV because of my crossed eyes to winding up being a 'Housewives' whisperer and talk-show host.
This world is not one color or culture. Everybody has a story. To tell that story or see that story reflected through art is extremely valuable to the community. The arts belong to everyone and our work should reflect that diversity.
The original series of Watchmen is the complete story that Alan Moore and I wanted to tell. However, I appreciate DC's reasons for this initiative and the wish of the artists and writers involved to pay tribute to our work. May these new additions have the success they desire.
I wonder what it is that the people who criticize me for telling this story truly object to: is it that I have dared to tell the story? Or that the story turns out not to be the one they wanted to hear?
One of the main reasons I wanted to write about female friendship is because it's so powerful and underestimated.