A Quote by Tom Cruise

When you become successful in any type of life, there are people who are not contributing to the motion. — © Tom Cruise
When you become successful in any type of life, there are people who are not contributing to the motion.
Rhythmic motion has become the carrier and creator of almost every ecstatic mood of any significance in human life.
Once you become successful, people know where you live, the type of house you live in, the kind of car you drive, the clothes you wear, and so it would be patronising to go and talk like a welder. Welding's a mystery to me now. You can't go back, your life changes every day.
I think living my happy, open life and showing young gay kids you can be successful, you can have love in your life, you can be a contributing member of society and you can be respected - I think that's it.
Child actors become types. The cutesy type, the funny type, the dark type. Any time you're a type, your career's over. It's not been effortless for me; I've had bumps in the road, you know? I was in Dumb And Dumberer. It's not been a flawless thing so far. But all in all, I'm proud of it. Most proud of it because of the diversity. Because the genres are different.
I am no party man in this matter in any degree; and if I have any objection to the motion it is this, that whereas it is a motion to inquire into the manufacturing distress of the country, it should have been a motion to inquire into manufacturing and agricultural distress.
Successful people aren't born that way. They become successful by establishing the habit of doing things unsuccessful people don't like to do. The successful people don't always like these things themselves; they just get on and do them.
The type of Buddhist practices that I talk about in 'The Art of Happiness' have to do with reconditioning one's way of thinking and one's outlook, and one's perception and how one relates to people. That type of thing, any Westerner can practice at any time.
The nature of motion capture is only going to work for certain films. It's not going to put any other type of movies out of business.
The more successful you become, the more the demands of your ego will increase. In the beginning, you simply want to succeed, but your ego will not be satisfied. When you become a little more successful your ego wants to kill your competition. And when you become even more successful, it wants to make you the universal king. There's no telling what ego wants because our desire doesn't have any limit; therefore, its demands continually increase.
I didn't become a commercially successful artist by design, and actually I think that commercially successful just means, if you analyse it, that a lot of people like you. It's become a dirty word, and I don't necessarily think it needs to be.
I tell the players that they can't relive any day in their lives and that they can't relive the minutes of a game, so they should make a great effort, a Mount Everest type effort, to live up to their potential. Success is a communal type thing, and if we win, then everyone can be considered successful and we can move uptown together.
The thing I like about college football so much is you can affect these guys a lot more when they are 18-22, 23 years old in terms of people and having a chance to be more successful. They are still a value type development, where you have a chance to help them mature a bit and help them be a little more successful in life.
You start to become successful, and everybody starts to drive your money train to the bank, and they're not thinking anymore about what you want as an artist or if any of that even matters to you. It genuinely upsets people in my life that I don't care about money, and that's not my problem.
One of the problems when you become successful is that jealousy and envy inevitably follow. There are people - I categorize them as life's losers - who get their sense of accomplishment and achievement from trying to stop others. As far as I'm concerned, if they had any real ability, they wouldn't be fighting me, they'd be doing something constructive themselves.
I think most great actors have their own life trajectory, the character motion doesn't have anything to do with their life motion.
You cannot have a thing "matter" by itself which shall have no motion in it, nor yet a thing "motion" by itself which shall exist apart from matter; you must have both or neither. You can have matter moving much, or little, and in all conceivable ways; but you cannot have matter without any motion more than you can have motion without any matter that is moving.
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