A Quote by Tom DeLonge
Everyone I talk to says stuff like, 'Music sucks today,' and I'm going to try and change all that.
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I'm aware that at the big, big clubs stuff can change quickly, as can opinions and people in charge. Not everyone is going to like you, not everyone is going to want to play you and that's the business side of it, which I've grown into and I'm certainly not going to take personally.
The Clash were innovative, radical and helped drive a change in music that was ground-breaking. In comparison to some of the music today they sounded like they meant it. I still listen to their music today to remind myself what music made with commitment sounds like.
Yeah, exactly, you can talk about politics in music, you can talk about something else, but that's always going to change, and love is never going to change.
My mother says that pain is hidden in everyone you see. She says try to imagine it like big bunches of flowers that everyone is carrying around with them. Think of your pain like a big bunch of red roses, a beautiful thorn necklace. Everyone has one.
I don't think the war is going to end, but the war is just going to change. So we talk about change all the time, well that's what's going to change. You know, we tried having an idiot try and justify the war and give us these rationales and now we're going to have a very articulate and capable black man say it.
Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.
When I get up, I usually have a missed call from either my sons or my wife. Every day we try to talk on FaceTime, try to talk after practice and stuff like that throughout the day. Try to stay in contact as much as possible.
I am the ambassador to the world. I use music to talk to the world - to try to unite masses. To try to spark conversations. To try and evoke legislation to change that'll really be for the people. That's behind-the-scenes kind of thing for me. And that's what the music is for me.
I like to hide behind my intellect. But the truth is, unless all of us start getting honest about what the reality is, things aren't going to change. If we all keep pretending that we know stuff and if everyone else would do what we knew and everything would be a better place, then nothing is going to change.
I'm not going to try to be too young because at the end of the day, I'm not 20 anymore. I don't want to sound corny or look corny doing young things. All the stuff that the kids are doing, that's not my place. I believe that everyone followed me back then, they're still here. That's who I'm trying to talk to and relate to. All the trap music and all of that, it's great but I can't do that. I'm going to stay vintage Ginuwine and stay at the place that got me here. That's what people want.
People talk to you and they try to convince you that they like what they do just because it sucks less than what they used to do... which sucked a lot.
If I'm throwing a no-hitter and someone says, 'Hey, you've got a no-hitter,' obviously I'd be like, 'Yeah, I know.' I just try to be humble. I don't like to talk about myself. I have no problem speaking up when I screw up, but if I'm doing good, people are going to notice. I don't need to talk about it.
Everyone who has kids that you talk to tells you, 'Wait until you have kids. It's going to change you.' You're like, 'Nah, come on. How can it change you that much?' But it changes you so much.
I'm just going to express my opinion and try to change the way people think with the stuff I write or try to get deep into stuff that other people haven't got deep into.
There came [a script called] “Dracula Sucks.” Now, I liked “Dracula Sucks,” but we gotta change [the title]. They said, “If you like that, you’re going to like this: ‘Zorro the Gay Blade.’” I decided I was going to go out and raise the money and develop my own projects. And that’s what I did. I made “Love at First Bite” and I made “Zorro the Gay Blade.” [Script rewriter Hal Dresner] and I put together “Zorro” in about eight weeks.
I try to get my subconscious to puke out as much stuff as I can because I'm really not judging myself while making music. If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away. There has to be an entry point to learn about myself, or an idea I've never tried, because then I can try on a new skin and see the world through a different perspective. If I have that spark, then I'll save the file.
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