A Quote by Tom DeLonge
Humor has become so cliche and boring that nothing's funny anymore unless it involves something totally disgusting that offends somebody or makes them feel really uncomfortable.
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With Portlandia, I don't think our intention is always to find something funny. Sometimes the humor comes from taking something really seriously. We're okay with making somebody feel uncomfortable or uneasy.
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
I think humor is such a personal thing, and you put a microphone in somebody's face, they're going to say something that offends somebody.
I really have to accept the fact that I'm not a young man anymore, that I've probably taken one lifetime's worth of punishment already, and I really do need to be careful. Certainly I don't want other WWE superstars taking the shots I did. That makes me feel very uncomfortable when I see somebody get hit with an unprotected chair shot.
A lot of people worry much too much about what their children are reading... If a child picks up a book and reads something she has a question about, if she can go to her parents, great. Or else they will read right over it. It won't mean a thing. They are very good, I think, at monitoring what makes them feel uncomfortable. If something makes them feel uncomfortable they will put it down.
The thing I have learned, especially in the Internet age, probably the easiest thing in the world is to declare that something is not funny. I mean it's not actually humor to say something is not funny, but it is viewed by a lot of people - and by that I mean mainly snarky young Internet men - as a kind of humor in and of itself is putting down other people's efforts at humor. And I don't care that much anymore about that because I know how easy that is to do.
If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.
Physically it's kind of lassitude, the apathy and tiredness that precedes the flu or some other illness, or death. My legs ache and feel heavy, my skin has become more sensitive to cold and to heat, to the hardness or rigidity of things. Nothing interests me, I feel uncomfortable being still but would feel even more uncomfortable if I moved. I don't know whether speaking is painful or just boring. I sit here, staring straight ahead, with no desires, no needs, hollow. I'm not even sad. I feel only passivity and indifference.
I've come to realize that you're going to get criticized no matter what. Somebody will always hate what you write, especially if you write humor for a fairly broad audience. Somebody will always find it not funny and declare you're not funny anymore. And sometimes people are just crazy.
I don't really hashtag things. Unless I'm talking to somebody and I'm being funny and I say something mean but then I'm like, Hashtag...something that's funny. I like to only hashtag funny things, not real stuff.
You don't expect people to go, "music has just been reinvented!" But the hope is that people won't say, "this is the most boring cliché." I mean, that's one of my pursuits, is trying to not become a cliché, or get stuck in that. But even that's a cliché in itself! It's difficult! But I think it's worth it.... It's a real vicious circle there.
The trip had become boring. It wasn't exciting anymore to totally be a singer/songwriter because it wasn't working for me.
Oftentimes, a funny situation is funny because it's uncomfortable or weird. The most memorable stories, or the stuff that you repeat to your friends, it's not like, "Oh, I had a pleasant day, nothing happened on the bus today." It's when strange things happen, when you become uncomfortable or knocked out of your own reality, those are the things that are interesting.
My philosophy is that if you're playing a moment truthfully, that it's a funny moment, then hopefully it will be funny. I like to just go for a truth in the work as much as I can. There's a lack of ego when you're working with comedy that I really love. It's hard to come up with something funny. It's become a fun game in a way. Everyone is going for the gold, for that humor.
Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
I am much more likely to care about someone trying to be funny and give them some credit for whatever he or she did that was remotely funny than I am to be mused by somebody declaring this isn't funny, that isn't funny, this sucks. If you want to write humor, you're going to have to get used to that.
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