A Quote by Tom DiCillo

I think actors, at a certain point in their careers, decide they're either going to keep taking risks or take the exact same risk over and over again so that it's not a risk anymore. That's when I don't want to work with them. I think there are some actors who are just doing the exact same thing, and they will never shift from it.
Many actors will try something different once, but if it isn't a box office success they'll never do it again. In my opinion, there's no point in going on with this job if you do the same thing over and over again.
We're interested by public personas and private personas, otherwise we wouldn't put on with actors rambling on with the same kind of stuff, over and over again, saying variations of the same thing. I'm always amazed by how fascinated people still are by actors because it's the same version of events that actors describe, all the time.
I'm taking probably the biggest risk of my career in playing the part in Filth. If you stop taking risks, then you get bored, or you just keep playing the same part, over and over again. Eventually audiences get bored of that, as well.
I'm unable to do the thing that Broadway actors do in plays, sometimes for years. The same exact blocking, the same exact lines. I'm a little bit uncomfortable with that. Every night I'm looking for ways to try something else.
I want to work on projects that I feel passionate about and do things that are fun and challenging. I would love to do a live musical. I'm not interested in doing the same thing over and over or the fame and exposure that comes with it. When people keep doing that, they just end up doing the same dumb stuff again and again.
I think my biggest thing is learning when to hit which serve when, not doing the exact same thing over and over. Because O.K., great, it's 120 miles per hour, but they're standing right there, and they just block it back.
I hope we don't have to keep going back over the same territory and winning the same rights over and over again. The battle for birth control. The battle for abortion. The parity of women's health. It's very depressing to think that you win these rights, but then you have to win them again, and again, and again, and fight the same battles over and over.
You really, really, really have to love what you are going to do in theater because it is an unmerciful life. It's six days a week. It's eight performances a week. And that's doing the exact same thing over and over and over again.
A lot of guys come out, and they do the exact same thing, are in the exact same mood, and have the exact same entrance every night, I really just make up a lot of crap as I go along.
I think a lot of actors, sometimes what happens I think is that actors finish a movie and they go, 'Oh my god, I'm never going to work again,' even big huge actors, and so they'll take something thinking that something else will never come along.
You have to surprise opponents, keep them guessing. Doing the same thing over and over again without variation will not work.
I've worked with some actors who have such thick skins and think they are so extraordinary. I'll think, 'Have you stopped learning?' They stop listening to directors or other actors and do the same thing again and again.
To create a situation where each new episode has to start in the exact same place as the previous one, with the actors' hair in the exact same place, seemed crazy.
You can't just keep bottling the same thing over and over again and think the audience isn't going to catch on.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
I think it's important to evolve and grow and take risks creatively, instead of repeating yourself and doing the same thing over and over.
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