It's such a pleasant experience [being a part of the DC Universe], though very nerve-wracking to come on to someone else's set, essentially. They've been there for two years, so for me to sort of walk on and to be expected to jump into it, it's not always that easy. But they made it incredibly welcoming and hospitable, so I'm very grateful for that.
Sometimes, as a guest actor, when you come on, you're coming into a show that's already been established, and the wheels are already in motion. It can be very nerve-wracking, jumping in as a newcomer, but everyone on 'Saving Hope' was so welcoming.
Travelling as extensively as I do... the take away for me has made me very humble and very sympathetic to other people's plight in the world and very desirous of being proactive in being part of a solution somehow and not part of a problem. It's made me very patient and very grateful for where I live.
It's always nerve-wracking; it's like going to a new school every time you start a new movie. There are so many people and you're trying to be comfortable and vulnerable on set in order to be fearless on camera. But it's fun, it's part of the job. You've just got to be very personable, I guess.
My first experience playing for England was very scary and nerve wracking.
Being elected to Congress, though I am very grateful to our friends for having done it, has not pleased me as much as I expected.
I still love Marvel to death and I had a great experience, and it was a really tough decision to leave Marvel. It was a very easy decision to come to DC; it was very difficult to leave Marvel. And I really wanted to draw Batman, and really, that was entirely the discussion when it came to coming to DC.
When I do the Led Zeppelin Experience I feel sort of responsible and it's a more nerve-wracking gig.
Being on a set for the first time is in general an overwhelming experience, and coming into 'Sharp Objects' was already nerve-wracking enough with the cast - it's just such a talented group of people and it'd be kind of strange if you weren't nervous.
There's something about being in front of a live audience that's fun. It's a really interesting, very electric, very alive, and intense experience, and you can't get it anywhere else. And I've been doing it since I was 23, so it's part of my being - it's part of my fabric as a person.
What's easy to forget once you're minorly famous is how nerve-racking it is to walk up to someone famous and interrupt them. When I'm taking a picture with a fan, it's not uncommon for their hands to be shaking or for me to feel their heart pounding through their rib cage. But the best part is how easy it is for me to make someone's day.
I've always been an incredibly physically capable human being. I've always had good control of my body, walk a hundred feet on my hands, jump off rock wall and do a back flip into the sand. That's always been who I am.
I always wanted to be an actor, but with a speech impediment it's kind of tough. I decided to roll the dice and take an acting class, which was very, very nerve-wracking... my stomach would just be in knots.
Though they don't always have to be set in fog, weather is incredibly important in ghost stories. As is suspense: you've got to turn the screw very, very slowly.
I find myself very drawn to the experience of church. I love to be in a surrounding that's so welcoming. People come shake your hand. That's not always the case in most synagogues I've been in. I also find more of an emphasis on how to live and grow as a person. And I have to say, I'm very inspired by Jesus.
I just think people have been very gracious and welcoming me on set, and even off set.
It's less frightening to do television, theatre is very nerve-wracking, very raw.