A Quote by Tom Felton
As soon as I get my car I think I'll be going to the cinema more. Since I don't go very often, there are no films that are a must see at the moment. I usually wait till they come out on DVD.
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The younger generation of filmmakers is concerned about our roots, rather than making films with characters plucked out of the cloud or some English DVD. Actually since 2000, Tamil cinema is going through some positive changes.
It's frustrating when people get upset with me about not going out to DVD - the reason is that I plan to tour with the films for many, many years, not just a month or a week. Literally years. And as soon as I would put it out on DVD, it would ruin the financial possibilities of me making it a theatrical event. Whereas the book, the publishing of a screenplay, would not cause that problem.
An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."
My films are very everyday, and people don't always want to go to the cinema to see ordinary lives. They want to see something a bit more extraordinary. I get that desire, but it's not the kind of film I want to make.
I mean, you have a general tone of it but it's pretty much you get to come in and you're going to flip this car and it's going to blow up and you're going to come out on fire and you go oh, that's cool, and then you get paid a lot of money.
The Lord givith and the Lord takith away. I was given a lot of signs from the universe and looking at it in retrospect made me feel like God was telling me I needed to follow my dream. My granny getting in that car accident and being at that hospital when I was going there to see my girl... that whole part of the story where I go to the show and come back to the hospital... and it was almost like as soon as I found out that my granny didn't make it as soon as I got back, I also found out that my son had just come out.
Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.
What is the point of a car alarm if it doesn't get people out of their beds to come help you? So if I ever have a car alarm - if I ever have a car - it's just going to be a big speaker on the back of my car. And when anybody tries to break in, it's just gonna go: Attention! Free bags of weed! Come get your free bags of weed!
Don't wait till you're older, or in some better job than you have now. Don't wait for anything. Don't wait till some magical...idea drops into your lap. That's not where ideas come from. Go looking for an idea and it'll show up. Begin now.
Cinema might have it's share of ups and downs, it can't go. It is a very major part of everybody's life. It is a process like going to cinema halls, watching films on the big screen.
My production company wasn't doing well, so we were not producing films. Over a period of time, we have realized that we are going to produce our own films and make cinema that we like. We've got so much in-house talent, and my kids are going to be coming, so we all decided that we are going to be in films and cinema.
Cherish what is dearest while you have it near you, and wait not till it is far away. Blind and deaf that we are; oh, think, if thou yet love anybody living, wait not till death sweep down the paltry little dust clouds and dissonances of the moment, and all be made at last so mournfully clear and beautiful, when it is too late.
We can't go in the ring and think opponent is going to be like that from the last knockout. We don't know how he is personally. We have to go in there and wait and wait and wait and see what he has because he is still a dangerous opponent.
I go to see maybe seven films a year at the most, and since I only go to see the best, it follows that I very rarely see my own.
When you were a kid, it [work in IBM] seemed like an awesome job. I'd get to go to work and have a briefcase. I loved how Dad wore a tie and got a car. I didn't know if all those things came together. I'd see my dad go off to work and we'd wait for him to come home, and we'd all be excited to see him.
I'd like to see (the films) go back to the books. I think (the films) need to be dirtier. I think that you should feel the man playing Bond could die at any moment. You don't feel that any more.
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