A Quote by Tom Felton
People always tell me I'm nothing like my character. Well, hopefully not! He's a character who's very defined. He was purposefully written by Jo Rowling as very one-dimensional in the first few books, because you're supposed to hate him.
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My first and most loved real novel was 'Little Women.' I identified with the Jo character even though we were opposites. Jo was very strong-minded and brave, and I was shy and kind of a wuss, everyplace but in my own home. I wanted to be Jo. She was my alter ego. I think reading that book gave me courage.
I've heard people tell me there's never been a gay character like Agron on TV before, and some fans have even thanked me because they now feel like they have a gay action hero, and it's very endearing to hear that kind of stuff. But I just played him the way he was and tried to do right by the character.
When you start digging into things like character, though, the notion that people have high character or low character is very strong. What's crazy is that my thinking is not a new insight. The very first large-scale study of character, still one of the largest ever, was done in the early 1900s by Hugh Hartshorne, an ordained minister and a scientist.
I always thought what an interesting idea because almost everybody's fascinated by the perpetrator of a crime; very few people study what happens to people for the rest of their lives, and how it affects not only that particular character but other characters around him as well.
There is nothing like being able to develop a three-dimensional character over a long period of time. Sometimes you aren't able to fully portray a character because you only have a couple of scenes to do it in, and you don't get the full life and background of that character.
Both Rowling and Meyer, they’re speaking directly to young people. … The real difference is that Jo Rowling is a terrific writer and Stephenie Meyer can’t write worth a darn. She’s not very good.
When the material written is very good then half of your work is done by the writer itself. When there's a well-defined character written, then the attempt is to be as honest to the material as possible.
Well first of all you have to make the character strong so that people can follow that. And then hopefully that character can integrate with the background of the social situation that people can recognize.
I think I would choose to do things because they are interesting, because I like a character or because it's very well-written. Or because it makes sense.
At the end of the day, it's a show [Daredevil ] not about a superhero, but it's about a man. Hopefully, that's what we're doing with The Punisher, as well. It's an enormous honor to play this character. It's a character that's quite iconic and very important to a lot of people.
If you do a character, always make the character with a big question mark. Even if the character is very enigmatic and all over the place, make him always with a question mark, because if you turn a question mark upside down, like they do in South America in Spanish, then it becomes a hook.
For me, the best characters are the ones that feel fully formed inside and out, so I try to have a very clear vision of exactly what they would wear, top to bottom, who they are, what their backstory is, what their family situation is, who are their friends, just creating as much of a three-dimensional character [as possible]. Because I think you could do a very broad character, but as long as there's some emotional truth to them you can get away with really crazy things.
I think that ‘New Moon’ was my favorite book as well mainly because I like the juxtaposition of all sudden people being…it’s such a hyped character, Edward, and there are so many people looking at him like a romantic hero. In ‘New Moon’, the way that I read it anyway, he’s just so humbled. It’s a character who’s looking at Bella and thinking that he loves something too much but he can’t be around. He deliberately starts breaking up their relationship which I think is a very relatable thing and I think is very kind of painful.
People don't stop me on the street and throw things at me. But I'm aware of what that dynamic is, so whenever people react strongly to a character and say that they hate me, I take it as a job well done. And for most people, there's a sense of removal. Most people are not saying, "Oh, my god, I hate you!" Most people that have reactions say, "I love to hate your character."
I have done scenes as Harvey Two-Face. It's interesting. I won't tell you exactly what we're going for, but I think that I can say that it will use all of today's technology to create this character. He's going to be interesting, and I think that's what makes this character important in the movie-you get to see him as he was before, as in the comic books. Harvey is a very good guy in the comic books. He's judicious. He cares. He's passionate about what he loves and then he turns into this character. So you will see that in this film.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
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