A Quote by Tom Felton
I remember my first scene with Alan Rickman, and I was anxious because he is a slight 'method' actor; as soon as he is in his cloak, he walks and talks like Snape - it is quite terrifying. But I really wanted to talk to him because 'Robin Hood' was one of my favourite films.
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Alan Rickman told me to do a play, so I did. Because when Alan Rickman tells you do something, you go and do it.
When I played Robin Hood, I knew the great role was Alan Rickman's and it didn't bother me. I always think that leading actors should be called the best supporting actors.
When I first met Alan, I was absolutely terrified. I was 19, he was Alan Rickman, and he's got that voice, and I remember meeting him in the hair and make-up trailer and thinking, 'I'm going to die. He thinks I'm rubbish. Why am I here?'
I thought I'd write a massive postmodern novel about Richard the Lionheart and Robin Hood, but it turns out they couldn't have met because the first mention of Robin Hood appears 60 years after Richard died.
If you outlaw half a million people you make martyrs of them. For example, if you outlaw Robin Hood, it is all very well, but if you outlaw a whole group of people around Robin Hood, then Robin Hood and his merry men become legends.
I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.
With that incredible voice that he [Alan Rickman] could play like a sort of wonderful instrument, like a cello or something. He played his voice, and he could be the most subtle of actors. And he could also be quite a big actor. He could do the grandiose performances as well.
When you had the fangs in, you wanted to be a little bit careful that you didn't actually pierce the jugular, kind of like my experience shaving Alan Rickman, which by the way neither of us want to do again, especially Alan.
I hadn't heard the Gary Cooper thing so I'm not grounded now. I feel pretty good. That's incredibly nice. When I met Robin [Williams] at the read-through, I remember when he came in, I was so nervous meeting him for the first time is incredible because I did actually write him a letter when I was a kid and told him he was my favorite actor.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
I just did adore Daniel - Daniel Radcliffe, who I had worked with before "Harry Potter" and spent a long time telling all the producers they had to see him because I thought he was so terrific. And it's been sad thinking about it because of Alan Rickman.
You know, some actors, all of their potential is in their youth, and when that passes, their qualities of as an actor pass. But he - Alan [Rickman] was the opposite, and their are other actors who are like that, who, really, their potential is in maturity.
When I told my parents I wanted to be an actor, it was like saying I wanted to be an astronaut. Not because it was highfalutin' in any way - just because they didn't know anybody in that field. They were anxious of a profession they knew nothing about.
Mr. Moony presents his compliments to Professor Snape, and begs him to keep his abnormally large nose out of other people's business. Mr. Prongs agrees with Mr. Moony, and would like to add that Professor Snape is an ugly git. Mr. Padfoot would like to register his astonishment that an idiot like that ever became a professor. Mr. Wormtail bids Professor Snape good day, and advises him to wash his hair, the slimeball.
I certainly think that he [Alan Rickman] was a kind of actor who needed to grow into his maturity to realize the potential, the huge potential that he had.
Where are you heading, if you’ve got the choice?” James lifted an invisible sword. “‘Gryffindor, where dwell the brave at heart!’ Like my dad.” Snape made a small, disparaging noise. James turned on him. “Got a problem with that?” “No,” said Snape, though his slight sneer said otherwise. “If you’d rather be brawny than brainy —” “Where’re you hoping to go, seeing as you’re neither?” interjected Sirius.
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