A Quote by Tom Fitton

Wray's FBI is stonewalling on Clinton email investigatory materials, Strzok-Page texts, Comey records, McCabe records, FISA court abuse records, Spygate records. — © Tom Fitton
Wray's FBI is stonewalling on Clinton email investigatory materials, Strzok-Page texts, Comey records, McCabe records, FISA court abuse records, Spygate records.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
That we have had to sue in federal court to discover the truth speaks volumes. The FBI has built a protective stonewall around Comey by refusing to release the Comey memos and refusing to disclose records of communications between the FBI and Comey prior to and regarding Comey's testimony before the Senate Intelligence Committee.
When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.
The government's collection authority, under the Patriot Act, is basically limitless. They can get the medical records and financial records, gun purchase records. And it also becomes part of another important issue that relates to the FISA court and the rest of the debate. It almost becomes a secret law, like there are two Patriot Acts. The one you read on the laptop essentially leads you to believe that there's some connection to terror .
Records have images. There are wet records and dry records. And big records.
I can work with all these different kinds of artists and still be able to come up with huge records. Not just cool records, but game-changing records.
The sports page records people's accomplishments, the front page usually records nothing, but man's failures.
I will sing their praises, I'll sing Donald's [Trump] praises and Marco's [Rubio] praises and everybody else's praises. But I'm going to keep the focus on substance and records. And there's a reason why they scream "Liar." Because when you point to their own records, their own voting records, their own words, they don't like their records because their records are inconsistent with what they're running on.
I'm a fan of records you get and you listen to them from beginning to finish - records where everything is there for a purpose. There was never any filler on those records - it was all well planned out.
I was going to tape some records onto a cassette, but I got the wires backwards. I erased the all of the records. When I returned them to my friend, he said, "Hey, these records are all blank."
Have I learned something from making records? Yeah, I've learned a lot, because I've not only made eleven of my own records, I've also probably produced that many records for other artists, and then I've probably played on, or been a large part of another eleven records with other people.
If you listen to 'Electric,' 'Entourage,' and 'Been With A Star,' all those records are records that I dug into the crates for to help me create that feeling of old funk. No one makes records like that anymore.
Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.
Guru's like Tupac. He just records and records and records.
I've never had anybody produce my records. I've always produced my own records. I've worked with a guy for a while who was an engineer who helped me produce records, but I've always made my own records. I'm a control fanatic. I've got to control everything.
This site uses cookies to ensure you get the best experience. More info...
Got it!