A Quote by Tom Fletcher

It's hard not to use cliches when talking about parenthood. — © Tom Fletcher
It's hard not to use cliches when talking about parenthood.
I think being a foreigner and talking about Hollywood allowed me to use some cliches and some references that an American would maybe not use.
Two cliches make us laugh. A hundred cliches move us. For we sense dimly that the cliches are talking among themselves, and celebrating a reunion.
Beware of clichés. Not just the ­clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought - even of conception. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation.
It is hard not to speak in cliches about cancer. It can be even harder not to feel as if I have to live up to those cliches. I sometimes feel a deep sense of guilt for not doing a better job of making lemonade out of metaphorical lemons.
No one realizes how hard parenthood is. I am not saying going into the office is easy. It's not. But parenthood, as fun as it is, is not for the fainthearted.
When all the archetypes burst out shamelessly, we plumb the depths of Homeric profundity. Two clichés make us laugh but a hundred clichés moves us because we sense dimly that the clichés are talking among themselves, celebrating a reunion. . . . Just as the extreme of pain meets sensual pleasure, and the extreme of perversion borders on mystical energy, so too the extreme of banality allows us to catch a glimpse of the Sublime.
To idealize: all writing is a campaign against cliché. Not just clichés of the pen but clichés of the mind and clichés of the heart.
Clichés are what good writing is all about. Because our lives are basically clichés.
We don't like to use the phrase "state security" in the United States because it reminds us of all the bad regimes. But it's a key concept, because when these officials are out on TV, they're not talking about what's good for you. They're not talking about what's good for business. They're not talking about what's good for society. They're talking about the protection and perpetuation of a national state system.
Comedy is hard to do. All the cliches about it are true.
When you're a writer, you want to try to avoid cliches. Unfortunately, when you're writing about marriage or family, all cliches seem to apply.
People forget that keeping a band together is hard; man, it's really hard. All the cliches apply about living in each other's pockets; of it being a relationship, a marriage, a family.
When you're at the basketball court watching a game, one person may be talking about a fight he had with his wife, another is talking about the last hard-on he got, someone else is talking about the presidential election. The language and the tone and the voice - I'd love to be able to capture that spontaneity.
I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.
The only valid reason to use clichés is in the speech of a character. Cliches are indications of sloppy writing. The writer does not respect the scene he is trying to dramatize enough to fashion it through precise prose and imaginative imagery. From the book Dare to be a Great Writer: 329 Keys to Powerful Fiction by
We've done a couple of women's mags, but we tend to talk about feminism and women in the industry, which I feel more comfortable talking about. It's a more valuable discussion than, 'Oh, you're a girl in a band. What hair conditioner do you use?' I use hair conditioner, and I like talking about it. But I don't want that to be the question.
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