A Quote by Tom Fletcher

It's a strange kind of responsibility being in the public eye and having people who follow you and admire you. — © Tom Fletcher
It's a strange kind of responsibility being in the public eye and having people who follow you and admire you.
As an artist, you know as a person in the public eye, period, you kind of have a responsibility to the younger kids that are watching and emulating what you do.
Just the life of doing what I do, being in the public eye, it's a stressful environment... You feel strange, self-aware, very foolish. Your third eye clicks on, just to try to maintain a healthy sense of perspective, and you think, 'What am I doing here? I'm just making a movie, and people want all these things from me.'
The weekend after 'Kimmy' started streaming on Netflix, I did notice a definite difference in people on the street recognizing you. I think that's such a strange thing to happen. It's like, you asked for it, you went and put yourself in the public eye, so don't be surprised people recognize you, but that part can be strange.
It's a little strange when part of your family is in the public eye, and you're being put into a box that you're not necessarily in. That's when it starts to feel a bit odd: When you're being told who you are, but it's incorrect.
When you're a woman, you have such a strange relationship with your body because - especially when you're in the public eye - you're constantly being judged.
One of the nice things about moving from acting to writing is that your work can be in the public eye without having to be in the public eye yourself. I guess that's not completely true. If you're lucky - and I have been - there are book tours and lectures. I don't have stage fright, and I enjoy meeting people, so that's easy and enjoyable, but it's not a constant, and it's not celebrity.
People become actors because they want to hide, and it's not easy to talk about myself. I accept that a certain responsibility goes with being an actor in the public eye, but I haven't found a comfortable way to deal with it.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
You can't be in the public eye without making mistakes and having some regrets and having people analyze everything you do.
For all the benefits of being in the public eye, there is the odd downside, too. Twitter goes mad sometimes with people saying weird stuff. It is a bit strange, but you can just ignore them. It is not even worth getting worked up about.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
Better to work for yourself alone. You do as you like and follow your own ideas, you admire yourself and please yourself: isn’t that the main thing? And then the public is so stupid. Besides, who reads? And what do they read? And what do they admire?
Another thing about being live or having power is having power is responsibility. When niggas respect you they respect how you move and what you are capable of doing and they follow what you do.
In New York, no one really cares who the hell you are. It's strange to be in the public eye where people have a perception of who you are, when they have never even met you.
I feel that responsibility to really be authentic with people because I think that's what they deserve, especially in a time when it's very easy for people in the public eye to sort of cultivate an image.
Having money has given me a certain freedom, but being in the public eye has taken away a lot.
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