A Quote by Tom Fletcher

Musically, I feel like the band was always my outlet. — © Tom Fletcher
Musically, I feel like the band was always my outlet.
I always communicate musically. I want my band not only to learn the form and feel of the song by ear, like I do, but also have the freedom to contribute.
I did a lot of choral music in high school, and that was kind of my primary, stable outlet for music because I didn't feel comfortable being a soloist. It was a cool, safe space for me musically.
Having a band was part of my heart's desire, musically. Within myself, I was saying that, 'Not until you have a band for yourself can you maintain the standard of your songs,' and the sound become a foundation. You don't have to feel around for two or three weeks for the sound because the foundation is already built.
I always feel like the past informs my present musically.
There's always a Van der Graaf audience that wants to hear the band's sound. And totally fair enough. Why not? It's a band. You like the band, you like the band.
Even when I'm touring, I feel like a sideman ... everybody's working together. We get to play longer solos; it's not just "Here's the record! Thank you for coming Goodnight" ... it has always had a "band" feel instead of being a singer and his backup band.
I think musically, there's always the stuff you're into that you've always been into but every once in a while there's a new band that kind of stokes you out a little, at least for me.
I felt like by doing 'Turned Up,' it was something for my fans. It would be a great outlet for me to come out musically and really step up my game.
To be in one band that changed the world musically is pretty good, but to be in two bands that changed the world musically, that's amazing.
As Andy says, being in this band in the early 1980s made you feel like you were part of a pizza. We were always one of the band, one of Duran Duran, or one of the Taylors.
Letterwriting is the natural outlet of the "odds." The busy-bodies, the idle, the perverted, the cranks, the feel-it-my-duties ... Also the plain depraved. They all write letters. It's their safe outlet, you see. They can be as interfering, as long-winded, as obscene, as pompous, as one-idea'd, as they like on paper, and no one can kick them for it. So they write. My God, how they write!
To me, the band is like one of my homes, in fact. It's not like, 'I've got to get out of this band. I've got to go home.' This band is home in a lot of ways. It's my closest friends; it's a place where I really feel comfortable and happy.
Panic! at the Disco, for me, has been an outlet to do whatever. I never felt like there were any rules. It was always carte blanche. I could do whatever I wanted. There were no rules set yet for the band. It just felt right.
One of the most distinctive things about our band is Jordan's voice. It stands out - in a good way for some people and in a bad way for others. But there's no mistaking it. That gives us a lot of room to do what we want musically. With Jordan singing, it'll always sound like New Found Glory.
I find that musically, looking back, I have learned much more from those relationships, people I have bumped into that I have admired, that's the way I feel musically I have learned most in life.
When I think back to my influences and icons musically, they were my icons musically because, for example, I would look at Rakim and be like man he said the freshest things and then I look at him and he would have on the pair of Nikes that I wanted and I'm like, "ma' please!" It was everything. Now, I sort of feel like if you are fresh then your music doesn't have to be that good because people are so keyed into the fashion. That's just the times I guess.
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