A Quote by Tom Ford

I love black dresses. I think everyone should own a lot, but black dresses don't sell online because on the computer they don't read like anything. — © Tom Ford
I love black dresses. I think everyone should own a lot, but black dresses don't sell online because on the computer they don't read like anything.
A lot of sequins for New Year's! Red, green, white - I fail at all of that because I'm always in black. But for Christmas, I do love wearing cute dresses with tights and a pair of boots.
It was a lot of hard work, but everyone loved my Amy Childs' Collection, so I decided to have a boutique as well as my salon. I love designing my own dresses, and everyone is loving the collection. I can't believe how well the boutique and the clothing online is going.
Because she knows what it's like to live in a world of black, and black, and the tiny bit of white, but when she escaped it, she didn't find the rainbow of colors, the dresses, the singing, the dancing. She only found ugliness.
I like photographing dresses in windows. I actually wore a lot of dresses in the '70s. I like them on other people now.
If a community of people wears white on a mournful occasion and another dresses in black, then one community would like white and dislike black and the other would like black and dislike white. Moreover, this attitude leaves a physical effect on the cells as well as on the genes in the body.
When a woman dresses up for an occasion, the man should become the black velvet pillow for the jewel.
Mara Hoffman makes flowy dresses, and a lot of her stuff is geared towards swimwear, like cover ups, but they work well as house dresses, too.
I love wearing dresses, but more simplistic, classic-looking dresses.
I love the financing. It's fun to do studio movies, too. I think you should do both. You don't want to be this, "He's an independent film guy." It sounds like, "He makes his own dresses."
I don't like the masculine style, jeans. I like issey miyake... and black dresses.
Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.
It's a Japanese way of thinking, that I give value for my merchandise. So I don't want to sell unnecessarily expensive dresses and make just 10 or 20 and then feel satisfied. I want to design for real women who can afford my dresses.
God knows I wanted love... but the moment I had to choose between the man I loved and my dresses... I chose the dresses
I always love wearing Vivienne Westwood. Her dresses just seem to fit me perfectly, and she makes dresses for girls with curves - I love that.
The little girls were wearing black party dresses and black party shoes, so strangers would know at once how nice they were.
When a woman tells me she loves my dresses. These women have nothing to gain to tell you that they love your dresses. A lot of professional women admit dressing for work previously was such a challenge. It's these moments for me that are so rewarding.
This site uses cookies to ensure you get the best experience. More info...
Got it!