A Quote by Tom Ford
But as an adult working in the fashion industry, I struggle with materialism. And I'm one of the least materialistic people that exist, because material possessions don't mean much to me. They're beautiful, I enjoy them, they can enhance your life to a certain degree, but they're ultimately not important.
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I was lucky enough to have had great success early on in life; to have had all the things the material world can offer. And yet, I realized that what I had actually neglected was the more spiritual side of myself, which has always been there. But it's easy for us in our culture to become consumed in a sense by materialism. Now materialism is fine. We live in a material world. I'm not saying that beautiful things don't enhance our lives. But, in our culture, we're never happy.
Just because you work in the fashion industry, it doesn't mean you live your life in fashion.
Because I would be around so many people in the fashion industry, there's this kind of dialogue. People would always say, 'Oh your daughter is so beautiful. Is she a model?' And it was so strange for me to hear because I felt so not beautiful inside.
Many of the things that I have written on have focused, at least a big part of the story, on adolescents. I think that in that period of life, so much happens, and it's the period of life where you're forming into an adult. In certain ways, you're already an adult and in certain ways you're still a kid.
When you stop expecting people to be perfect, you can like them for who they are. And when you stop expecting material possessions to complete you, you'd be surprised at how much pleasure you get in material possessions. And when you stop expecting God to end all your troubles, you'd be surprised how much you like spending time with God.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
Having a family is really important. And there would be something missing in my life as a woman if I didn't at least attempt to fulfil that side of me. Just for a certain period of your life, to have your sole purpose to be nurturing, feeding and protecting someone else: it's animalistic, isn't it? It's beautiful.
People always tell me, 'Don't work so much', but I can't help it. I feel like all the things I've done are important to get to this adult stage and now I'm getting all these adult offers, so it's working.
Those in the community who defy authority and 'break the law' seem to enjoy the good life and have everything in the way of material possessions. On the other hand, people who work hard and struggle and suffer much are the victims of greed and indifference, losers. This insane reversal of values presses heavily on the Black community. The causes originate from outside and are imposed by a system that ruthlessly seeks its own rewards, no matter what the cost in wrecked human lives.
People always tell me, Don’t work so much, but I can’t help it. I feel like all the things I’ve done are important to get to this adult stage now and now I’m getting all these adult offers, so it’s working.
I always collect images, maybe because I was working with historic material - but even if I were working with contemporary material, I would do the same thing. I keep a kind of index of them while I'm working. I find them incredibly useful, not so much to illustrate a time, but to give some sense of the feeling of a time.
I find what I call the [bleep] side of the industry very difficult. You won't see me at other peoples' premiers. I mean, I go to my own premiers because I have to help my film, but I don't enjoy that whole side of it. I don't enjoy celebrityhood. I love getting a seat in a restaurant. I love it when people say hi when I don't know them. I mean, that's fine, but apart from that, I like the elements of celebrityhood which make living in the world like living in your own village.
Design is important. I spend much of my working life as a designer. But how can you design for materials if you don't know what they can do? The feel of them, the possibilities, the capabilities? These are things you learn only by working with materials all the time. Frankly, a university degree is not much help in that.
These Souls with great Material Possessions were allowed this because of Past Good Works in their Previous Life, but now feel there is no need for Spiritual Progress. They are too easily forgetting why they were granted this Material Wealth in the first place. Therefore we must stop them from accumulating more Material Gains to Guide them back to the right path.
I draw from my family and my friends and I feel like that small-town person. The achievements, the materialistic possessions have really become to mean less. They mean nothing.
Sure, everyone who knows me knows that I am the world's least athletic person ever to exist - but that doesn't mean I don't enjoy other people's athleticism!
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