A Quote by Tom Ford

Part of fashion is newness. It's got to be a new combination of elements that's shocking-stunning-beautiful all at the same time. But it doesn't have any emotion.
The principle of fashion is . . . the principle of the kaleidoscope. A new year can only bring us a new combination of the same elements; and about once in so often we go back and begin again.
I need to push myself. I'm not saying that I just want to do anything that's shocking, but when you have that combination of a script that's really beautiful and extremely shocking, it's exciting for me.
I believe a person of any fine feeling scarcely ever sees a new face without a sensation akin to a shock, for the reason that it presents a new and surprising combination of unedifying elements.
The world is for newness, not for oldness. New, new things we have to create. Then only the world will progress. If not, we will come to feel that there is nothing new under the sun. We have to create new things to keep our joy. If there is no newness, how can we have enthusiasm? And if there is no enthusiasm, do we make any progress?
There are lots of beautiful areas in England, and I am lucky enough to live in a stunning part of a very beautiful area.
Action, reaction, motivation, emotion, all have to come from the characters. Writing a love scene requires the same elements from the writer as any other.
Beauty means this to one person, perhaps, and that to the other. And yet when any one of us has seen or heard or read that which to us is beautiful, we have known an emotion which is in every case the same in kind, if not in degree; an emotion precious and uplifting.
How I Shed My Skin is, simply put, a brilliant book. While I was reading, I kept thinking two things. One, this is totally shocking. Two, it's not at all shocking, but a familiar part of my life and memory. Grimsley's narrative is straightforward and plain-spoken while at the same time achingly moving and intimately honest, and it does more to explain the South than anything I've read in a long, long time.
Things have got to add up to 100 points. The script is part of it, the character is part of it, the people I'm working with is the third part of it - and any combination of the three has got to add up to 100 points.
With twenty six letters, you can create anything you like - any person, any world, any place, any emotion. And they are so potent, so powerful, and at the same time, they're marks on the page, and that's all. There's nothing else to them.
I just would use any instrument known to man in any combination as long as it describes an emotion.
The creation of all those symbols and logotypes which are an ever more striking feature of the world in which we live calls for a new and fresh approach to lettering in the part of the designer. In these logotypes the combination of letters can be more or less obvious; but only deliberately contrived encounters of elements and confrontations of values can lead beyond the letters to new forms of expression.
This amazing breakthrough full-length revolutionary audio uses a powerful new combination of a subliminal hypnotic induction AND beautiful original music (created with a really cool ancient musical instrument) AND brand-new subliminal clearing commands ALL designed to begin to clear your unconscious blocks of anything and everything in the way of your attracting what you really want – and this incredible one-hour audio does it without any effort at all on your part!
We didn't want to do that. It would have been a beautiful moment in the movie but it would have brought the movie down. So Danny's vision was perfect I think when he wanted it to be driven at the same time having this new emotion about this boy coming as a hallucination or like a déjà vu and as the future kid.
An invention or new combination can be successful only if all if the elements necessary for the recombination are present in the culture.
An idea is nothing more nor less than a new combination of old elements.
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