A Quote by Tom Freston
I measure success in terms of the connection with the audience, which we've been able to do in spades. I mean, it's very hard to do that. You think about it, you go back in time, you can say, "Well, there's, like, 'Saturday Night Live' and 'Rolling Stone' or MTV." I think 'Vice' is in that category now.
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I measure success in terms of the connection with the audience, which we've been able to do in spades. I mean, it's very hard to do that. You think about it, you go back in time, you can say, 'Well, there's, like, 'Saturday Night Live' and 'Rolling Stone' or 'MTV.' I think 'Vice' is in that category now.
I've done movies with Oliver Stone and Michael Mann. And I've done quite a few dramas in my time, from the theatre to film work. I just think the audience is used to seeing me on 'Saturday Night Live,' and 'K-9,' and 'Curly Sue' and of course, 'According to Jim.' I think that my comedies have been the most popular.
But live you get the chance every night to rework it and change it and hone it. But then you get the false, weird oddness of being able to look at it and say: "Well that's weird, because last night they laughed at that and yet they didn't tonight. So what did I do? Nothing was different." You have that strange thing of being able to tell within five minutes what an audience is like. Very quickly an audience gets a personality and you start to think: "What is it about you all; you all hate it, don't you?" Then you come out and have friends in and they say: "It was brilliant!"
Most of the time you're too busy to think about it. But every now and then you say, 'I work at 'Saturday Night Live,' and that is so cool.
We've played on 'Saturday Night Live' and got not even a Rolling Stone review.
I think it can be very safe to go to O'Hare and Wrigley and Sox park and Soldier Field, but you have to deal with some reality. Just because a threat is not specific and verifiable doesn't mean nearly what it used to mean, in terms of you being able to sleep well at night.
I suppose, in a way, one could say I may be less interested in my career than the audience is. Not to mean that I'm disinterested in my career, but I don't see it in terms of one stepping stone or, 'Now I'm going to go into my blue phase,' or what have you.
All of my films have been very hard to understand at the script stage because they're very different. At the time I did them they were not conventional. The executives could only think in terms of what they'd already seen. It's hard for them to think in terms of what has never been done before.
I call you once...you never dialed back.
Twice...you never dialed back.
Saturday morning, live, I'm on Soul Train, talkin' to Don Cornelius.
Saturday night, my phone rings...
Saturday night, I won't answer.
Saturday night, my phone rings again...
Saturday night, I don't answer.
We're shaking up a format, which I think is always a good thing. The thing about [2011 Oscar hosts] James [Franco] and Anne [Hathaway] is, they've both hosted Saturday Night Live, and they both did a good job at it. So they are accustomed to working with short rehearsal time, and live, lots of pressure, rewrites, things like that. They can make quick changes, which is very advantageous, and they're skilled comedians.
I think as a performer, it can be really great to stand on stage, especially when you have more time, but I do think about the specific people in the audience, how it's hard for them to get up and go to the bathroom, how they chose not to do other things that night and have turned off their phones and everything. So for that reason, I think it's necessary to mix it up and talk to the audience.
Every time I see Trump on TV these days, I'm waiting for him to burst out, 'Live from New York, it's Saturday Night!' That would make sense to me - that this has all been one long 'Saturday Night Live' sketch.
I guess what I'm trying to say is I don't think you can measure life in terms of years. I think longevity doesn't necessarily have anything to do with happiness. I mean happiness comes from facing challenges and going out on a limb and taking risks. If you're not willing to take a risk for something you really care about, you might as well be dead.
I knew very little about Rugby. But, I think it helps in terms of an American audience the game is enough like football in that it's a battle for field position and you score by running into what looks a lot like an end zone. I think in terms the nuance of the game, Americans won't get that stuff. I think in terms of the peanut butter and jelly version of what you need to know, I think it's pretty clear.
With the Roxbury guys (on 'Saturday Night Live'), I think the breaking point was when Stallone came on and wanted to do the sketch just because. And we're, like, 'Well, now we've got to create a story, so, what, are we bopping our heads with Rocky? What are we doing?'
I didn't do so well at 'Saturday Night Live.' It was a very hard experience for me, for a lot of reasons that have to do with the kind of person I am and the personal issues I had at the time. I was very alone in New York, and the show has a lot of stress related to it.
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