A Quote by Tom Glavine
I guess we all have that 'Dig Me' space, where we have some of our things displayed. Mine's a little bit more off the beaten path. You're not going to see it as soon as you walk into my house, but it does exist.
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I'm going to be doing solo stuff. The idea is to do 'small' and 'off my beaten path,' or go back to an old, beaten path - do some smaller things that I haven't done in 15 or 20 years. Just to sort of get my feet wet, because I haven't done my own material for a couple of years - I've been doing a lot of other things.
I think I've got a responsibility to be home a little bit more, be available to my family a little bit more and do some things to help make our country better. I don't know what that is right now, but we'll see.
Every time you show something to somebody they're going in one direction, when they see that thing you did they're going to go off track - maybe towards a direction that you think is more important. They'll be more discerning, they'll probably see things a little bit more profoundly, they'll spend more time trying to understand what's in front of them.
I suppose for me, with 'Djesse,' I realized fairly early in the process that I also needed a character to walk this path, which in some ways is me, and in some ways is not me. I think of Djesse a bit like the infinite child who can see everything and walk into everything as light as a feather and just alchemize.
I know that people are going to recognize my voice as being different and they are going to be saying, 'Let me listen a little bit closer to see if she says something that I don't agree with.' They're probably going to pay a little bit more attention.
The reason I want to explain that you're probably never going to get revenge a sociopath and you're also probably not going to redeem this person, is that it is not a project that will ever succeed. At present, if a person does not have a conscience, we know of no way to instill one - not even a little bit. It's not like something you can take off the shelf and put into somebody's brain. It makes me so sad to hear people say, "I think I can see just a little bit of a conscience."
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
I have a weird thing - if I can't see where all the walls in my house are, I get a little bit freaked out. I think New York has Stockholm Syndrome'd my sense of space and what a house should be.
I'm going to go to my house and drink a little bit. Can I say that? I guess I can.
I was able to go over [Saxophone Competition] and work a little more in Europe. I'm thankful that those of kinds of things. Simultaneously, some nice things did come in. I got a nice festival that came in, in Virginia through that. There was a club that opened in DC in the famous Willard Hotel near the White House. And the club was called The Nest. I played there a few nights. Some musicians in Philly and D.C. kind of brought me down and got me on a couple things. So things opened up a little bit.
I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.
What a child does not know and does not want to know of race and colour and class, he learns soon enough as he grows to see each man flipped inexorably into some predestined groove like a penny or a sovereign in a banker's rack. Kibii, the Nandi boy, was my good friend. Arab Ruta (the same boy grown to manhood), wo sits before me, is my good friend, but the handclasp will be shorter, the smile will not be so eager on his lips, and though the path is for a while the same, he will walk behind me now, when once, in the simplicity of our nonage, we walked together.
I love finding little places off the beaten path.
I see myself as a student. I would never call myself a master or a maestro. If you take the path of the student, that means you have to try a little bit of everything in hopes that you're going to learn something or strike some kind of new note, expression in the process. I'm not going for grades; I'm going for an education. I'm going to continue experimenting and trying new things to try to evolve and learn.
Writing is a little athletic for me. I get worked up a little bit when I do it. So I guess I'm a little bit like that composer conducting. There are a lot of things that go into what I do, but I think athletics really sort of shaped my ethic.
I mean, there's a little bit that gets out, but for the most part, the thing that makes us work, and makes our family successful, and our life successful, is when we walk home and we walk into our doors of our house, all that other stuff is left outside. It's not a factor.
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