A Quote by Tom Graves

I had visited Congressman Deal before, but I never thought I'd be sitting on the other side of the desk. — © Tom Graves
I had visited Congressman Deal before, but I never thought I'd be sitting on the other side of the desk.
As a producer, sitting on the other side of the desk, I have never once had an agent go out on a limb for his client and fight for him. I've never heard one say, 'No, just a minute! This is the actor you should use.' They will always say, 'You don't like him? I've got somebody else.' They're totally spineless.
You've probably never thought about it before unless you happen to write for a living, but professional writers are doomed to spend most of their waking hours sitting by themselves at a desk, staring at a blank computer screen and waiting for lightning to strike.
There was a day where I was sitting at my desk, working 90-hour work weeks, in a suit, looking at a computer, with all these pitch books on my desk, and I just thought, "This can't be my life..."
There was a day where I was sitting at my desk, working 90-hour work weeks, in a suit, looking at a computer, with all these pitch books on my desk, and I just thought, 'This can't be my life.'
It all depends on which side of the desk you're sitting on.
Sitting in America, we never get to know the other side in any kind of believable way. We have so many movies about Iraq, Afghanistan, and this and that, but there is never a character from that side.
Back in 1993, I was studying in Delhi, and I had a girlfriend. I had never touched a girl before that in my entire life. One day, I decided to go out with her to a garden. We were sitting beside each other, and I just glanced around to see if anyone was looking at us, and I put my hand over hers. I thought love started in this way.
I was actually sitting on stage at a press conference one day, and I totally lost touch with reality. I just thought to myself: 'Vin Diesel is sitting next to me, and Benicio Del Toro's on the other side. This is weird, man.'
I had never really thought about acting as art. You know, growing up in Youngstown, the Rust Belt of the world, it was always just a form of entertainment. Finally seeing it as an art form, I fell in love with it. So I moved out to California, never having visited before.
I've never had a really creative idea sitting at my desk. All the big ideas that made a difference happened when I was playing outside.
With Gargoyles, I didn't want to walk away. I liked the idea too much, I was too passionate about it and so I went to my bosses and said, "Guys, I want to produce this show." Their initial response, lets call it dubious, but they let me give it a shot and sort of the rest is history. I moved from one side of the desk to the other side of the desk, and became a full time writer which had always been the goal, but I came about getting the actual work in a sort of roundabout way.
I wrote a play once called 'Lobby Hero,' which I thought turned out very well, but there's no final version of it. I published the one we produced, but there are seven other versions with different variations sitting in my desk at home.
In fact, I spent 25 years as a reporter, swearing I would never become an editor. Sitting at a desk, watching other people go out and find the story, and then fussing with other people's words - I just didn't get the appeal of that.
For instance, [Adolf Hitler] would never have spent the night at the Widenmayerstraße apartment. He visited it before we moved the furniture in, he visited maybe 4 times afterwards and he never spent the entire night.
Before signing any contract, you have to assume that the guy on the other side of the desk is handing you a shifty piece of paper that works to his advantage. I know that sounds cynical, but it's really that simple.
It seemed to me that I should have a desk, even though I had no real need for a desk. I was afraid that if I had no desk in my room my life would seem too haphazard.
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