A Quote by Tom Green

When I started doing stand-up again, a lot of it was coming from an angrier place, and I quickly learned that doesn't spell a good time in a comedy club. — © Tom Green
When I started doing stand-up again, a lot of it was coming from an angrier place, and I quickly learned that doesn't spell a good time in a comedy club.
I started doing stand-up when I was 15 and doing Letterman when I was 20. So I've been doing stand-up comedy and clubs for over 30 years. That's a long time.
I first did stand-up when I was 17, and then I passed out fliers for a comedy club (in New York City) and I got onstage whenever I could. And musical theater went out the window as soon as I started doing stand-up.
It was football I enjoyed most. When I moved to L.A. to become a stand-up comedian, I thought it might be a good comedy hook to also be the punter for USFL club The L.A. Express, so I started practicing for the tryouts. Luckily, my stand-up took off, and I didn't need to do it.
By the time I started doing stand-up, the club scene had died.
I took a job in a comedy club - not doing stand-up comedy, because that's my idea of hell, but in the office - and I went traveling.
In the 70s I started doing my Big Night Out on stage when I was at art school. A friend of mine owned a comedy club and sold it to me. I worked out quite quickly that if I did the comedy myself I'd make more money.
I did a 'Last Comic Standing' audition in 2006, where you're just performing for three people in a comedy club, in a big comedy club, and I remember them cutting me off, asking about my name in the middle of one of my jokes. Yeah, it's just real weird when you're doing stand-up in that type of sterile, unnatural setting.
I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.
So I kept it to myself. Then some of my classmates started to come down to the comedy club, taking a girl out, and they started finding out I was a stand-up comedian.
If there's one regret I have of my time in comedy it's that I really I was so obsessed with improv for so many years and I exclusively did improv for the first 6 years or 7 years. I was doing comedy and then I started doing solo work and stand up, a bit of writing, making videos, and really going into it on that end.
I never wanted to be a model. I never wanted to be a serious actress. I started off doing comedy. I did a stand-up comedy camp at the Laugh Factory, and I started out on Nickelodeon.
Once I started doing stand-up, everything fell into place. That was when I started acting more; I felt like I'd found my place in the business.
Stand-up is an art but since it's humor and it's funny - a lot of guys that don't think it's art are probably coming from the angle that they don't want to take it so seriously. I've always looked at it as an art but I don't look at it as a pretentious art. I understand it has to be taken lightly because it is just comedy in the end, but the good stand-up comics are someone with something to say.
I started doing improv comedy in 2007, and I think it was that that gave me the confidence to try doing stand-up!
Scott and I had just worked with Jimmy Pardo doing a live show over the summer. And it was a lot of fun and we wanted to keep doing a live show. And as Scott said, we knew a lot of funny young people who needed a place to do stand-up. And we were in a place, where we were writing so much that we weren't around live comedy so much, so we kind of missed it.
I was a terribly quiet, shy child. The comedy thing came when I was at university and I started doing stand-up, which I think was a belated compensation for all that time I spent hiding behind the couch.
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