A Quote by Tom Green
I'm always making micro-adjustments onstage, listening to the audience, and what a crowd is like can be infectious.
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I love sports, but I don't like live sporting events, because I don't like sitting in the crowd. I like listening to records, but I don't like going to concerts, because I don't like standing in the crowd. I guess I just don't like being in the crowd itself.
It's always been impressive to me when someone can really do what they want onstage. The audience has confidence in the performer and the performer has confidence in the crowd.
I first came across Langhorne Slim when I saw him play live, and he's an incredibly infectious performer. The way he works the crowd is mind-blowing. You can listen to his music without really listening to his lyrics, but it pays off if you do.
In the entrepreneurial world, when you launch a company, you have a particular idea, a particular product, a particular service, almost always you pivot, you shift. The market reacts to your initial idea. You make some adjustments. It's only after making a few adjustments that you see the success.
Onstage, you just have to tell the absolute truth about the character you are playing. You hope you communicate it, and you hope it comes back like a tennis ball. If you're listening to the sound of your own voice, nobody else is. The audience knows, and they freeze on you.
I like what a third man brings. A kind of oblique vision, seeing something in the material that you didn't know was there. As a comedian, I'm always listening to the audience. And in movies, sometimes the only audience you have is the producer and the director. I like having someone else's opinion, especially if you're on the same wavelength.
When I performed the songs in front of an audience at the end of each project and I knew the storytellers were in the crowd listening, that was hard.
But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.
When you're always onstage, you really have to focus on listening and reacting.
I have found when I look at an audience that the expressions on the peoples' faces aren't always up to par with the sounds that they're making. A crowd can sound like they're having a good time when your eyes are closed but if you open your eyes, the looks on some of those faces don't equal the sound.
That's always disappointed me, to see a guy in the crowd who doesn't look like he's having fun but in general if you just listen to the crowd it sounds like they're having fun. So I don't want to focus on the one guy who's not having fun. And by closing my eyes and just listening, I can't hear that he's not laughing but I can see that he's not laughing.
I feel like, anytime I'm onstage, I tend to feel very connected with people in the audience or with the sort of heartbeat or tempo of the audience.
For me, stand-up comedy is a conversation between me and the audience. I have to keep them listening. When I'm making jokes about cake for twenty minutes, I have to make sure my audience is interested and following where I'm going.
I've always said about 50% of what happens at a concert has to do with the audience. If you play for a dead audience you're gonna stink. If we play for a great crowd we're much better. You want 'em to make noise. It's kinda like sex, if they don't make noise, you ain't doin' it right.
That's a thing you always hear - the hitters make adjustments. I think the pitcher has to make some adjustments, too.
Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.
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